Before I continue with the post as usual, yes that’s right. This currently is my 600th post. Yay! Quite an amount in less than a year, don’t you think? (^^)

About the episode: it was a seriously awesome one. Finally this series is picking up, with awesome results. It now deserves to be compared with its 1998-counterpart. The first half of the series really did an excellent job in fleshing out the characters, and now we finally get to see the fruits of this.

Gamigami was amazing. It doesn’t happen often when a character is extremely funny, but extremely sad at the same time, but he’s one of the few characters who can do this. Gamigami really was funnier than he ever has been in the 2003-series, but at the same time, he also finds out that his beloved Narcia has been turned to stone. When you combine this, the results turn out awesome.

Marco also has this effect a bit, though not as extreme. He has the habit of becoming incredibly nervous when tension starts rising, and he relieves this tension by keeping himself as busy as possible. It has a rather chaotic effect, but it provides a nice comical element to accompany the tension. Nonetheless, the effect this has is awesome.

In any case, Momba figures that a hermit in his home country, Croconesia, named Delvoi-sama might know how to get the Lunar Drop back. But in order to get there, they need a ship, which has just been destroyed at the end of the previous episode. Gamigami offers his own submarine, so that Pinon can save his precious Narcia, while he makes sure nothing happens to them. Punpun and Kotaro will accompany Pinon.

The submarine is just full of eccentric details you’d expect when considered that it’s being used by Gamigami, Punpun and Kotaro. The tatami-room is back again. It seems to be built for Kotaro, as he’d be terribly scared otherwise. Three crab robots also seem to be on board (including the weaknesses they showed us in the past couple of episodes), and the secret weapon of the submarine: fart missiles. It sounds childish, I know, but when they actually got fired, the results are hilarious. I’m glad they were fired under water. ^^;

The fight of this episode really was awesome. The monster designs continue to become more gruesome with every monster appearing. This time, it’s a gigantic monkfish. It’s piloted by a small shrimp-like creature who’s a bit too full of himself. Marco and Kotoro set out in order to try and defeat it in the crab robots, while Pinon gets to scared to head out. The three of them played their part perfectly. Especially when you compare Pinon with Kotoro. I think that Kotoro was even more scared than Pinon was, though the fact that he didn’t want people to think bad of him made the former go, while the latter stayed behind.

In the end, Pinon sees this, and gets inspired by Marco’s and Kotoro’s courage, so he grabs the third crab robot, and in the end, he destroys the monkfish from the inside. Luna then saves him when the robot blows up. So cute. ^^

I’m really thankful for Anime-bt for bringing us this awesome series, along with its 1998 counterpart. I’ve almost caught up with their releases on both shows now, and I’m wishing them good luck with translating the final episodes. ^_^

Again, a few new names:

Karasuma Kurouta: He’s the guy with the beak-like head accessory.

Ryuu Kaien: He’s the small guy, incredibly fast, white hair.

Hajizuka Genzai: He’s the huge guy. These three were seen at the beginning of the episode, where they were recruited for Nakaiya Juubei. Suddenly, the supernatural element also returned to the series when they were possessed by another inadequately sealed demon. This caused them to lose their mind, become loyal to Nakaiya Juubei and increase in both power and speed.

Hata Meifuu: he’s under the service of Nakaiya Juubei. He’s some kind of shaman, able to use supernatural powers in such a way that he can try to manipulate the inadequately sealed demons.

A few more things I found out after watching episode 3: Katsu actually holds a very important position. He’s just an unfortunate bystander who got involved with the story as he happened to be near the Kakunojou troupe often. Akizuki’s current mission is chasing after those demons, Shouten-sama probably gave him this mission. But what does Sakamoto Ryouma have to do with this?

Just as with Asatte no Houkou, I’m beginning to see a pattern. First, we have an episode which introduces the new characters, new bad guys, et cetera. The episode afterwards features the climax of that episode. I’m not sure whether this is a good idea, though. I think that an irregular pacing is better for series as Bakumatsu.

Also, one thing that’s been irking me about this series is its bad guys, and most especially the goons who get sent after Yuyama and Akizuki. They just lack depth and background. All we know of Hario Genba was that he once killed Yuyama’s parents, though what he did afterwards never becomes clear. Magozou is even worse, as we never really get to know him. I think that’s a pity, as it really would contribute to this series.

This episode wasn’t really anything special, apart from a number of small details. I liked how Soutetsu actually was discovered, and how H.S. Parkes sent out his English guards in order to scare away the three attackers. Notice how the Japanese officials are enraged by this? Should provide good material for in the future. Still, Parkes’ Engrish is too evident. And why was Nakaiya Juubei suddenly so gloomy at the end of the episode?

The cliff-hanger also was interesting. It’s obvious after you see it, as Kanna Saikyou no Suke does have English connections (after all, he was appointed to Katsu by Parkes).