Released in 1985, this movie is already 22 years old. It tells the story of two Italian male kittens, who board a train on the galactic railroad. The train stops at various constellations, and various people step in and out, with all their own story. This is a movie about travelling, and all the things you experience in the process.

I must say that A Night on the Galactic Railroad has been quite an interesting watch. Mainly because of two things: its mood and symbolism. This movie really gives a feeling of silence and loneliness, it’s really slow-paced, and the mood of both the expanding space of the universe, and the silence in a train-cabin work perfectly, and create a really eerie mood for this movie, even when people are interacting with each other. There’s also lots of symbolism; each station on the different constellations is full of imagination. They’re all really diverse, ranging from religious messages to references to the time of the dinosaurs.

The movie does have its flaws, though. Near the end, the entire mood disappears a bit, when the focus comes to the two main characters. They’re these kinds of main characters who are great as side-characters, watching from the side-lines, but fail to deliver when put on the spotlights. The amount of religious messages also may have been a bit too much at one point. Be also aware that this movie doesn’t really pay attention to the whys of its world. Fantastic things happen, though we never know why most of them do.

The graphics, well, they’re not that interesting. But what did you expect from such an old movie? Basically, the anime takes place in a world where cats live, instead of humans; they walk on two legs and wear clothes. Our two main characters are also the only ones who have been obscurely coloured, everyone else is just brown or grey. The music-department is interesting, though, as this movie has a rather unique soundtrack. Especially the main tune is worth listening to.

Overall, this movie is definitely not for the impatient ones, as it moves really slow. It’s an above average movie, though it’s not a big disaster if you haven’t seen it. If you have the chance of watching it, though, you can indeed give it a whirl, as it definitely has a few worthwhile elements.

Ah, a bullet-proof vest. That explains. In any case, the plot has been skyrocketing forward in the past few episodes. Already in the first five minutes of this one, Akai’s cover is blown, and he’s unmasked as a traitor. Hiraga Gennai gives the explanation as to how he managed to survive for more than a hundred years (some kind of immortality-potion?). His meddling also manages to make sure that everyone managed to escape from Torii, who also showed up afterwards. The only casualty is one eye, which gets ripped out by Blue Monster from the Sky.

The rest of the episode focuses on Tetsuju. I’m not sure exactly how it happened, though one of his smaller bear-companions brainwashed him and made him think that the Third Blue Monster from the sky was his Kaguya-hime. Later, we see it dig up a humongous spaceship. I’m not sure where that one came from, actually. Was it the one used by Blue Monster from the Sky to get to earth? Then why was she so interested in Seikichi’s gunpowder?

My favourite character in this episode was yet again Akai. Not only does his secret go out, he’s also accused of cosplaying. And despite the rather cold relationship the two of them have been having for the past episodes, it was really cute to see both Akai and Blue Monster from the Sky together, when they’re both in trouble. Later in the episode, we also see another fight between Akai and Ginjiro, and it was as great as always. ^_^

The thing is that there are still 7 episodes left, while the story could be resolved in two of them. What are the creators planning for a finale? So far, Ooedo Rocket has been definitely entertaining, but nothing extraordinary has happened yet. Could this have been saved for the final episodes? I do hope so!

Heh, I couldn’t help but find the second half of this episode amusing. I never thought that the writers would be stupid enough to pull such a cheesy twist as that one. Ah well, the next part of the manga is supposed to be the best part of the entire series, so it’ll be interesting to see where the creators can take it. Still, letting Raki literally fall into Priscilla? It feels a bit like a bad soap, to suddenly bring Claire’s best friend and worst enemy together.

Still, the first half was pure win. Both fights against the awakened beings were really good, and especially Undine got a great dose of character-development. Right now, we know that she isn’t a bad character. She cares for casualties, and she often likes to head into things alone, to not be indebted to anyone. She’s just like Helen, that she doesn’t really show any politeness. I also liked how Claire and Deneve stole the show with their unusual skills.

Veronica and Cynthia also get more development than I originally thought. They both seem to be defensive types, and they sure proved a great help for Jeane, who needed time to charge her drill-sword (how did she call it again?). I really hope to see more of the two of them, as they really seem like interesting characters. This fight was definitely meant to bring the entire group of Claymore closer together (surprisingly, there were no casualties). Helen, and the more useless claymores all were awesome as well. The only two who disappointed were Flora and Miria, simply because Flora hasn’t really shown any of her trump cards yet, and we didn’t get to see how Miria slaughtered her opponent.

It’s also interesting. I never really thought about it, but awakened beings can adjust their appearances to their will. Riful obviously wasn’t a little kid when she awakened, and Priscilla has now also taken on a new form. It’s interesting how they al chose cute and innocent forms. We’ve seen two awakened beings who go as little girls, Priscilla turned into a teenager and Isley is a pretty bishounen. I wonder what the one from the South chose for her appearance. Will we see her as well, by the way?

It’s also ironic that Priscilla finds that Raki smells good, as the scent basically indirectly comes from Teresa. I assume that she’s grateful to her now, because she caused her to awaken.