Omoide Poro Poro, better known as Only Yesterday is a story of reminiscence. It features a twenty-seven year old woman who works in Tokyo, and heads into the countryside during her vacation. It is here where she starts getting nostalgic about her ten-year old self. It’s another Ghibli-production, directed not by Hayao Miyazaki, but by his best friend: Isao Takahata. While I haven’t seen much of his works, the guy seems to be famous because of his huge focus on realism.

And with Only Yesterday, this shows. Now that I’m writing this review, I can’t recall any other anime that had a higher degree of realism than Only Yesterday. Everything just feels so real, and if you’ve lived in Japan, this effect will probably be even clearer. The character-designs are simple, yet people really look lie Japanese people, instead of some crossover between Asians and Europeans, like you usually see. The voice-acting is terrific; you can actually hear that the characters are voiced by real people, instead of actors. Children are also children, and not thirty-year old adult who try to sound like children, something I’ve only seen a handful anime do as well.

But the thing that really shines is the dialogue. No matter who you are, there’ll almost certainly be at least one scene in the movie you can completely identify with, and the amount of detail it comes with is almost scary. Still, therein also lays a problem. I myself got lost a bit when the characters started talking about periods (you know… with women and all), and the main character’s father, who may be a normal person in Japan, was a bit hard to swallow for me, who grew up in Holland, which has probably an entirely opposite culture when compared to Japan.

Those who’ve been reading my blog probably know by now that I don’t really mind slow pacing, but with Only Yesterday, even I have to admit that the entire thing goes a bit too slow. Realism often comes at prices, and because of this, certain scenes just drag on forever in order to make them look as real as possible.

There’s also the lack of emotional tension. While I found it easy to identify with the main characters, I had difficulties sympathizing with her. That’s because there’s hardly any need for them to get emotional, not until the final few scenes of the movie. But with a total length of nearly two hours, the length of it may have been a bit too long. When the characters do get emotional in the end though, the scenes work out great.

I’m also surprised at the lack of background for the side-characters. They get fleshed out enough, but I would have loved to see how the old classmates of the main characters grew up after going to high-school and beyond, because they were quite interesting to watch. The main male side-character does also get a few lines of background, but it just doesn’t feel like it’s enough.

Apologies for the lateness of this review, but more on that later. Let me first put up a warning: if you’re planning to watch this series and have some kind of little brother or sister: keep Shigurui AWAY from them. Nobody under sixteen should be allowed to watch this. Not only is this one of the, if not THE goriest anime I’ve seen, it’s also filled with over-the-top sexual reference.

Sure, a show like Elfen Lied may have had more blood, but that was also all it had: lots of blood and random limbs gushed over the screen, but it never really went further than that. Shigurui carries gore to an entirely next level. The amount of detail is astonishing; the creators have an amazing amount of medical knowledge, and they use al of it. When a finger gets broken, you see exactly which bones dislocate. When an arm gets cut off, you see exactly how the muscles grow back. And that’s what makes it such an effective horror-series.

Especially when you combine it with the storytelling. The pacing is very slow, but it uses the gore and very creepy sound-effects to create an extremely tight atmosphere. It’ll have you during its many and creepy climaxes. If it wasn’t for its flaws, this would have been one beast of an anime.

Because yes, it’s a shame, but there are a few things that went wrong here. Especially in the first half, the creators get carried away a bit too much and delve in pointless rituals, like cutting off a woman’s nipple and eating it. Only at episode six, the series gets back on track With a gripping and powerful second half. The role of women also isn’t too good in this series. Basically, every single guy in the series is a bastard, and nearly all the women are good for is to serve as sex-objects or helpless sword-targets.

My biggest gripe is with the ending, though. The ending, while it does resolve a few things, leaves huge amounts of plotholes open. The reason I’m so late with this review is that I kept hoping that there would be some kind of thirteenth episode that would wrap the entire series up, but there’s nothing. One of the two major questions asked in the beginning hasn’t even been answered, for goodness’ sake.

Still, despite this, Shigurui is a definite recommendation for those who can stomach the huge amounts of gore. The animation may be simple, and most of the series consists of still frames, but the art itself makes up for it, by being incredibly detailed, and it’s only when the creators turn to CG on very few occasions that it doesn’t look excellent. But seriously… isn’t there really not some kind of second season or OVA to wrap it up?