Fans of the fifteenth episode of Rahxephon can rejoice: its director, Mitsuo Iso has embarked on a new project called Dennou Coil. Having done the animation for major Ghibli-movies such as Porco Rosso, Ocean Waves and Only Yesterday as well, this guy had the potential to create a masterpiece. Thankfully, he actually pulled it off, and many consider this series as one of the best of the entire year.

The thing that’ll probably immediately catch your attention when you start to watch this series is the immense amount of creativity that’s put into the series. It takes place in about twenty years, where a cyber-world exists that people can only see if they’re wearing special glasses already is something you don’t think of quite easily, but Mitsuo Iso created a world that consists out of much, much more than just that. The first half of the series carefully builds this up, and makes sure that the viewer has been accustomed to the many sides of the setting, only for this series to really get fired off with the second half, and the final quarter of the series has some incredibly emotionally charged climaxes.

To make this even better, Dennou Coil has amazing production-values, second to only Seirei no Moribito. What you usually see with series is how their first few episodes have amazing animation, only to switch to a lazier animation-style after a few episodes, but Dennou Coil is different. The animation is of a consistent high quality, and there are no signs of outsourcing at all. The character-designs may look simple, but the animation and integration with CG make them look beautiful.

The characters may not be among the best points of this series, but they do work effectively when they have to, due to the careful building-up of the storyline. One point of critique would be that most of the side-characters could have gotten more development. Daiichi, Denpa, Fumie and Kyoko are wonderful characters, but if feels like they weren’t used to their full potential, and their roles became smaller and smaller as the series went on.

One thing that irked me, but will probably have little effect to those who plan to marathon the series is the overabundance of recap-episodes. In total, there’ve been three of them for a 28-episode series. The final episode could also have been a bit less rushed. Finally, there are three episodes in the middle of the series (11, 12 and 13), which I guess were meant to flesh out the world of Dennou Coil a bit, and they’re excellent standalone episodes, but they really feel out of place with the rest of the series, and only throw in more potential that unfortunately had to be ignored in the end.

Apart from this, though, we’ve got ourselves a masterpiece here. It’s one of the highlights of the year, and apart from Kaze no Shoujo Emily, it’s the most consistently good series of 2007 for me. It’s anime like these that show that even stories focused at children can be awesome nonetheless.

Ah, thank god. For a minute, I thought that the ending for Dennou Coil would end up rushed, but thankfully the series gets closed with one final powerful climax that nicely finished the series. Obviously, the ending itself doesn’t match up to some of the other series of the spring-season: Bokura no, El Cazador, Seirei no Moribito, Kaze no Shoujo Emily and Ooedo Rocket all wrapped up their stories better than Denou Coil did in this episode, but I can’t complain, as it could have turned out a lot worse.

And so, we finally find out what really happened in Yasako’s flashback. Obviously, if you haven’t seen the episode, CLOSE YOUR WINDOW. Yasako ended up in the coil-domain thanks to Densuke, right after the accident with Nobuhiko and Isako occurred. She than ran into Nobuhiko at the shrine, and the two of them had fun for a bit. Then Nobuhiko realized that the coil-domain was starting to collapse, so he told Yasako to run away fast, while he himself got sucked into the void.

Afterwards, Yasako managed to escape the black void, and met the Null. This guy turned out to be indeed Yasako’s grandfather. The two of them recognized each other quickly after Yasako’s memory went blank, so the two of them managed to say one final goodbye. The reason Yasako’s grandfather was there was because he was trying to save Isako. Nobuhiko lost his body in the accident, though Isako’s body remained, and it was Yasako’s grandfather who managed to bring it back in the end.

There were quite a few forced scenes in this episode - Nobuhiko suddenly got eyes, and there’s no real reason given for all the revelations. But one thing that went really well, apart from the climax itself, is the emphasis on one of the major themes of this series: saying goodbye to the deceased: Yasako got to say her final goodbye with her grandfather, Isako got to see her brother one final time, Densuke remains gone, but he appears in front of Yasako and Kyoko one final time, when they’ve grown up. This is really why it’s a children’s series in the end: it’s meant to show children who have lost something important to keep remembering this person, but live on at the same time.

And so we’ve come at the end of the major gems of the spring-season. It’s really been an awesome ride, and also a really consistent series.

Whoa, things went much, much faster than I expected. And really, the building-up is really paying off now, as this was an excellent episode. With three more episodes left, there are many twists up ahead, as 60 minutes is enough time to throw in some excellent climaxes. It’s hard to imagine that finally, after nearly fifty episodes, Higurashi is nearly getting finished.

This really was an episode for the adults of the story. The children only appear in one scene, but apart from that, it was all about Irie, Tomitake, Oishi and of course Takano. Especially the latter finally crawled out of her shell, and showed us something entirely different from her usual character. I do admit that I’ve often complained at her annoying character, but it was so worth it to see her in despair after finding out that people were once again going against her.

Meanwhile, Tomitake is on the run for Takano and the Yamainu, as it’s obvious that he’s the most likely traitor. Irie tries to remain on Takano’s side, though the latter manages to realize that Irie is against her too, so she puts the guy under surveillance. I hope that Irie does realize that he’s obviously going to be tracked.

There were a few vague parts in this episode, mostly at the police-side. I’m not exactly sure where Ootaka came from, and his “connection” with the Sonozakis. Still, it was good to see this guy getting pwned by Oishi, who refused to let anyone to the autopsy-department of the police office.

After Yaya and Kuukai, we now have the Nadeshiko-episode. All that’s left now is for Hotori to get his own episode, and after that this anime can move on. I’m glad that there was no bad egg this week, and instead the creators opted for the obligatory haunted-house episode, as Nadeshiko appears to live in a huge mansion.

It’s all fairly cliché so far: Kuukai has soccer, Yaya has ballet and now Nadeshiko turns out to be well-versed out in the classic Japanese style of dancing. Obviously, the animation for this turned out to be too much to handle for the animators, so they just went and showed a bunch of still-frames. It’s a shame, as especially dancing-scenes like these ones are the perfect chance for them to show off their skills.

The “ghost” of this episode turned into the Shugo Charas, who were trying to chase a mouse out of the mansion. It was all fairly standard, though the development for Nadeshiko made up for it, and how she tried to hide her hard-working self from Amu. The manga-readers also mentioned something about Nadeshiko’s “true identity”, though we don’t get to see that in this episode. It’s clear that the creators plan to use the first season of this series for fleshing out the character amidst random stories.

I’m not exactly sure why, but this episode was easier to understand than usual. It was another great one, by the way. It first becomes clear that Juusanhime and Shuuei are very close to each other. I recall that Shun mentioned something about Juusanhime’s true, unreachable love, but could this refer to Shuuei? If that’s the case, then it’s quite the tragic story. For the entire series, I imagined Ran as a mature guy who has had lots of experiences, but instead it was just a facade he put up because he kept running away. Now that he stopped doing his, we start to get to know his true sides a bit more. In that viewpoint, I can see why his triplet brothers decided to get him away from Ryuuki. It may have sounded a bit mean at the time, but I’m sure that they wanted to help their brother.

Shuurei and Suou meanwhile are seen inspecting the prison of the palace in terms of health and facilities. There’s also a prisoner (Shun) that just refuses to leave his cell, even though he’s been released long ago. The reason he gives is because Shuurei keeps visiting him to urge him to leave, though I think there’s a deeper reason behind it. It also seems that Shuurei reminds him of someone. It also seems that even in the prison, Seiga has been active.

A while later, when Shurei and Suou are leaving the prison, they get assaulted by a bunch of cheap assassins. These guys are clearly rookies, so both of them manage to escape quickly, but this does mean that someone without a lot of money is trying to get rid of Shuurei. Could this be becasue people already think that she’s Juusanhime? In any case, when Shuurei arrives back, Seiga stands there, waiting for her with the news that Juusanhime is ready to get picked up.

Later, Shuurei is in the library, when she runs into Riou, where they chat for a while, Riou makes a bit of tea, and Shuurei plays the erhu for him. The former seems to be the norm for the family where Riou comes from. Riou then talks about how he might have hurt Riou in the previous episode because of the things he said. Shuurei, however, believes that Ryuuki likes Riou, so he’d never hate him, and Riou should apologize and that would settle everything. (by the way, why did Riou use the window as an exit? Does he want to avoid running into certain people or something?).

Ryuki, meanwhile, has sought the company of Shusui, now that Shuuei and Kouyuu are gone. Meanwhile, he’s getting more worried about the fact that he’s going to have to marry Juusanhime, which suggests that we’ll see his more serious side soon. Shushui also talks about her worries a bit, how she always runs away and gets protected by everyone, despite being strong. Later, when Shusui is alone, she’s again bothered by the strange sound, and she mentions something about not having fulfilled a promise yet. Riou then runs into her, and he seems to realize that his eyes are causing trouble for her, so he tries to help her, though she refuses.

Then Ran arrives, and tells Riou to leave, while he himself carries Shusui to her room. The latter (nearly unconscious), mistakes Shuuei for Shouka, and begs him to kill her. If I recall correctly, then Shuuei once had (or still has) a crush on Shusui, so seeing this probably has to have made a deep impact on him. We later see him in hiw own room, when Juusanhime visits him again, and again it shows how close the two of them are. The episode ends with Shuurei, who finally gets to formally meet Juusanhime, whom she has to impersonate.

I’m not sure why, but I liked this episode more than usual. My guess would be that it’s been a while since I managed to understand an episode of this series that well, and it actually inspired me to look up the small parts I didn’t understand, and write a whole summary. And of course, the events that happened in this episode were quite intriguing, and the creators can do great things with them. I really wonder why Shun just refuses to leave his cell, and why he’s going to be important to the story.

Boy, MRI-scans. That brings back memories, as I’ve had a few of them myself. I’ve never had them on my brains, though. Basically, the entire first half of the episode is something what you’d call “Brain MRI-scans for Dummies”, and it’s basically one big lecture, which I of course couldn’t understand. ^^; It was interesting to see the councillor return, though and he also showed a new side of him, that was way more interested and away from his distant usual self. Something tells me that he’s beginning to suspect that Tarou has out-of-body experiences, and got interested.

For Masayuki, this episode tells us more about his family. His sister is as big of a gaming-addict as he is, and the doctor we saw introduced in the previous episode turns out to be an acquaintance of his father. What also piqued my interest was how he really uses his games as a way to escape from real life.

Tarou, meanwhile, regained consciousness, but a new sort of experience got introduced for him in this episode, where he can basically see inside his own brains. In there is a strange figure, who somehow reminds Tarou of his sister. This was really a moment that showed that even the calm Tarou hasn’t recovered a full 100% from his experiences, as he does shout at the strange figure that he wants to see his sister.

Meanwhile, we learn a bit more about why Makoto reacted so angrily at the picture we saw last episode. It doesn’t seem that he hates the guy, running for mayor, but instead he hates the fact that people blamed his father’s death as a suicide. He figures that his former friends might know a bit more, and this really seems to be the case for the guy who is running in the elections. Of course, he isn’t going to easily talk, but it’s clear that he too has suffered some kind of trauma because of Makoto’s father. Whether this was the suicide itself, or something more complex is for the next episodes to show us.

The episode also ends with quite a few intriguing events: Makoto walks past an abandoned building and sees some kind of hallucination that looks awfully familiar to the death of Tarou’s kidnapper. Afterwards, Masayuki sees a kid getting bullied, and simply runs away. One thing I really like about this series, aside from the large roots in psychology, is how the dramatic scenes don’t feel forced at al. This shows quite some promise for the future.