January 30, 2008

Wellber no Monogatari ~ Sisters of Wellber - 18


So, this was clearly a building-up episode, but that doesn’t mean that it wasn’t an excellent one. I really can’t believe how well the second season has progressed thus far, and I’m loving every minute of it.

This episode was mainly meant to develop the love-triangle between Galahad, Rita and Tina, when Sherry gets sick and the group is forced to make a pause. It’s clear now that both Rita and Tina love Galahad, though Rita is the only one who finds out that Tina too has feelings for the guy. Because of that, when Galahad confesses to her, despite how he’s still lovesick from Jamill, Rita declines.

Meanwhile, in terms of politics this series has also progressed. The king of Greedom has finally created a peace-treaty between the kings of Wellber and Sangatras, but in the meantime, he has plans, along with the king of Sangatras to screw the king of Wellber over behind his back. Guernia may be dead, but his father is still alive. I’m wondering when we’ll see Rita’s brother again. After all, he’s number one on my list of “guys that could have killed Tina’s parents”, and at the same time, he probably won’t like it when he finds out the plans of Greedam and Sangatras.

Suteki Tantei Labyrinth - 17


Okay, now I know for sure: this show’s crazy!

I’m not sure what it is that the creators have taken, but I wonder where I could get some. I now finally understand how the director (Hiroshi Watanabe) could have produced series that are so incredibly different in overall quality. The guy is just incredibly dependant on the source-material that he has to adapt, and somehow manages to increase the most defining feature of said source-material. Shining Tears X Wind was rumoured to be the “worst RPG ever”, so of course you’d get a very crappy anime. The Law of Ueki, on the other hand, came from a very creative manga, and that worked just perfect with the strange sense of humour of Hiroshi Watanabe. And now Suteki Tantei Labyrinth has been adopted from a manga that according to Usagijen already was quite bizarre, and the result is… well… this.

The fact remains that nearly every of Hiroshi watanabe’s works left some kind of lasting impression on me, whether good or bad. I still cringe at how horribly cheese the twelfth episode of Shining Tears X Wind was. I still consider The Law of Ueki to be the single best shounen-fighting series out there. The final parts of Star Ocean Ex bombarded me with its horrible deus ex machinas, and it was exactly that series that made me realize how bad these are for the overall storytelling, and Suteki Tantei Labyrinth is currently fighting along with Power Puff Z for the title of “weirdest storytelling”. In the same way, I’m getting rather curious to check out his works on Tactics and Matantei Loki Ragnarok. The guy should try to animate some ideas of his own, though. I mean, he definitely has enough creativity to pull it off; he was the one who proposed the concept for Jigoku Shoujo, after all.

Anyway, about the episode… it really was one of the weirdest yet. The show may be heading further and further away from the “detective”-part in the title, but in exchange for that it has turned into a(n unintentionally) hilarious anime that just screams “don’t take me seriously”. Basically, Seiran’s brother seems to have made it to the new school-headmaster, and for that, he organizes a running-event. Mayuki, being by far the slowest person in the class, obviously doesn’t like this.

Hold on, though, it gets much weirder. When Mayuki is all alone, Hatsumi comes from out of nowhere, carrying a huge backpack full of meat and vegetables, in an attempt to replenish Mayuki’s energy (…yeah). She then falls into some kind of trap-door (yes, in the middle of a street), and both she and Mayuki end up in some kind of underground building, probably from before most of the buildings got destroyed. After a small conversation with his good and bad angel (am I the only one who was disturbed by the fact that these angels were wearing dresses?), he decides to cheat and take a shortcut.

Unfortunately, the plans of cheating are short-lived when the two of them get lost. Incidentally, he suddenly seems to have become much better at running… In any case, now we get to the really strange part… they run into a strange man who is trying to get rid of some rocks in one of the corridors. After they try to help him a bit (to no avail, by the way), he points them to a door, that’s supposed to be the exit. Behind that door, is an alligator.

Yes, don’t ask me where the heck that alligator came from. I have no freaking idea myself. After a hilarious chase, Mayuki uses the meat that Hatsumi was carrying (gee, what an incredible coincidence :P), to lure the beast away, and clear the rocks in the process. It then seems that the strange man was after a time-capsule, in which a demo-tape of his early days as a rock-band guitarist was kept. Unfortunately, the band went nowhere, and they broke up, and this demo-tape was the only thing that remained of their works. It seems that he was just being nostalgic.

The story isn’t over with just that, though. The rocks were not only blocking that time-capsule, but also some kind of underground water. Oh, and Maru ran off on his own when he smelled food. Hako uses this chance to secretly attack Hatsumi for no apparent reason, and Seiran, who also came from nowhere, tries to stop her, but fails. In the end, everyone flees from the water. For some reason, in the aftermath we see water come from the top of a huge building, which would be physically rather impossible. But then again, this is at least better than the murder on top of the radio-tower…

The episode ends with a very strange twist: The owner of the previously mentioned alligator is Shien, and he seems to have called her “Catherine”. Incidentally, it hasn’t eaten the meat from Mayuki at all, and strangely enough, the two of them end up hugging each other… Really, looking back, this series has so many bad storytelling-errors, but I’m really beginning to think that this was intentional…