March 15, 2008

Shion no Ou - 21


This episode was… beyond incredible. Oh my god… I can still hardly believe how this turned out to be by far the best episode of this series yet. And with Shion no Ou, this has to say something! Every single part about this episode was just outstanding, and this episode turned out better than I could have ever imagined. It’s episodes like this one that only appear once every half a year. These episodes really are the true masterpieces, and showcase the best of the best for anime.

Okay, so it was sortof to be expected that this was the episode where Shion would find out that Hani-meijin was the one who killed her parents, but the real strength of this episode was the fact that the series had built her character into a truly memorable one. In the end, what happened was that Hani-meijin and Shion played a game of Shougi, after the murder. Shion just was too young to immediately realize what happened to her parents, so she just went along with the game, in an attempt to protect them. Because of this, she tried everything, to prevent Hani-meijin from taking her king. Hani-meijin then took the king from her, and placed it on her father’s forehead, explaining why it was so drenched in blood, after which he left, leaving Shion to finally realize what that total bastard had done to her parents!!!

As it turns out, Hani-meijin left his mother’s necklace with Shion on purpose. He wanted her to have something to constantly remind her of her parent’s murder, so that she wouldn’t just forget it, and a necklace is the perfect thing for that. And you just have to love Shion when she finally realizes that. Instead of cowering in fear, she quickly pushes them aside, rips off the necklace and puts Ayumi’s necklace on instead. That was so AWESOME.

And really, the animators were on FIRE for this episode. It’s not like the episode was extremely smooth or anything, but there were so many different angles, so many different poses. I really love the sense of style that this series has. Most series try to use some extra budget for flashy CG, or extra smooth frame-rates. But this series is different, and instead it’s more interested in different poses and viewpoints. Heck, it has this even more than Hakaba Kitarou. This is really what anime should be: an art-form.

It’s such a shame that there’s just one episode left. This series is really too awesome to end, but on the other hand, it also needs a conclusion. The next episode should be perfect for that, because all that’s left is for Shion to bust up Hani-meijin, Hani-meijin to reveal his reasons and the reason why he ended up killing Kazumi as well.

Shigofumi ~ Stories of the Last Letter - 11


Ah, of course. Shigofumi wouldn’t be Shigofumi without a deliciously over-the-top finale. What else could you expect for a series with the subtlety of an African elephant? Thankfully, this was yet another terrific episode for this series. I must say that I really had my doubts when I found out that the guy behind Code Geass behind the series composition, but this really turned out to be the perfect series for this guy, especially when the series is directed by a very talented director. They really brought this series to life.

So, basically, in this episode Fumi wakes up. Because of this, Mika wants to kill herself to accept her punishment, so most of the episode shows attempts as the shy Fumi gets kept away from the reaches of Fumi. Obviously, this can’t last forever, and the two run into each other at one point. Fumi then goes through an entire personality-switch when she found out that Mika shot the father she loved so much, and shoots Mika.

Obviously, because of one of the big rules of anime (a character is only dead when confirmed dead, and this isn’t the kind of series to try and diverge from this cliché :P), but still, Fumi is turning into an actual villain! The best thing is that she doesn’t even realize how much everyone has worried about her. And what was her plan at the end of the episode? To actually kill her father for real? And the blonde woman… could she be Fumika’s mother?

That twist with the dog was also nicely found, and it shows that already back then Fumi was more than just the shy and scared girl that Mika came to know. That look on her face when she chased away that dog explains a lot. And interestingly enough, it was that look that caused Kaname to develop his crush on her.

True Tears - 11


Okay, so as things look now, the next episode will feature the big climax of True Tears, while episode 13 will be some kind of aftermath. And really, after the last episode I may have said that Shinichiro and Hiromi are now officially a couple, but this episode yet again gave both of them an equal change. On one hand, Shinichiro and Hiromi ended up kissing each other this episode, but at the same time Shinichiro has found out how much Noe thinks about him.

True Tears really is a series about sorting out your own feelings, and making hard decisions that will end up in others getting hurt. One thing that I do hope for is that the creators aren’t going for a “true happy ending”, like how the one who Shinichiro doesn’t end up choosing will leave, while being happy because Shinichiro is happy. This is just so overused, as a cheap plot-twist to just wrap up small love-triangles without much trouble. I like how True Tears did this with Aiko, and Clannad with just about every female character. They all realized that they won’t stand a chance. The girls from Clannad then just continued as usual, though that doesn’t mean that they’re happy about it, and Aiko went and tried to make up with Miyokichi again. Although subtle, these reasons are so much better than having just one guy around a bunch of girl, and none of these girls seem to realize that they’re not the only ones in love with said guy.

I think that in these themes, True Tears is one step above Kimikiss, even though these two use rather similar concepts. It really feels like Kimikiss is trying too hard with its love triangles, and it really misses the subtlety of True Tears in my opinion. Take this episode for example. We get a lot of different close-ups, but you’ll never know exactly how these characters are feeling. With Kimikiss, guessing how each character feels is much easier, making that show much more predictable.

Some quick first impressions: Mnemosyne - Musume-tachi, Mai Otome S.ifr and Bus Gamer

Mnemosyne Musume-Tachi

Mnemosyne’s strategy is basically to attempt to capture its audience with lots of gore and nudity. Like I said before, I haven’t bought the formula yet. The characters do have potential, but it seems to me that they’re trying a bit too hard to be sympathetic, so early on. Especially the case for the first episode was a bit too extreme, and to me it seemed that it was more keen on to shock its viewer than to come up with a cohesive story. Who knows, this is one series that can go both ways: it can get lost in its endless fanservice, or it can turn out to be quite an interesting character-study. One thing that I do want to say is that the OP is pretty amazing. Especially the track that the creators found for it.

Mai Otome S.ifr.

Well, at least this one looks to actually contribute to the Mai Otome-universe, rather than the abomination of Mai Otome Zwei. Still, the new characters are just as annoying as all the other series. Thankfully, the main character is less annoying than Arika was, but that doesn’t mean that she doesn’t get on my nerves every time she appears. Overall, I doubt that something good can come out of this OVA, but at least it seems to be trying. It’s going to have to try really hard to fit in all the development for the huge load of new characters, though. Hardly anything was explained in this episode (heck, we still don’t know why Sifr was kidnapped in the first place), and it’s going to take a lot of time for just three episodes to explain everything.

Bus Gamer

Well, this didn’t turn out as interesting as I hoped. Bus (as in BUSiness, not an actual bus) Gamer obviously didn’t receive that big of a budget to work with. The crows that appear once in a while look really bad, and one particular character has his hair conveniently over his eyes so that the animators wouldn’t have to draw them. The OP sung by a boy band and the bishounen character-designs quickly show that this is a series, aimed to cater the fangirls. The bad guys don’t help much either, because they’re just a bunch of paper bags that need to be defeated by the good guys. But that’s where the three-episode format for this series comes into play. This isn’t your top-quality series, but the episode was fun to watch. The creators managed to keep this episode interesting, despite the faulty ingredients. The music is also very decent, and as it look like, this series won’t have any time to get boring. This really is one of these series that’s for those rainy days when you’re bored and need half an hour to burn.