So, this episode concludes the introduction of Soul Eater. We’ve no seen all the three couples, so it’s time for this series to start building up to its real potential, rather than the McGuffin involving the 100 souls to become a death scythe. My guess is that the next few episodes will show the different couples working together on one mission. Something tells me that the banter between these people will reach epic levels when they’re combined.

In any case, this episode is the proper introduction to Death the Kid (really interesting names some of these people have). He’s the son of shinigami himself, so of course you’d expect a perfect student here. When I first saw him, I thought that his weakness was that his weapons weren’t talented, or how he kept arguing with his weapons to the point where he stops caring about his targets, but it turned out to be something much funnier: the guy’s obsessed with symmetry. Now that’s really fitting of the “perfect” student.

If I had to mention a bad point about this series so far, then it’s the CG. Bones is talented in a lot of areas, but CG isn’t one of them, and they’re nowhere near Gonzo’s level at this point. Blassreiter, for example, has some really nice CG, but the shingami castle, the grinning moon and the laughing sun (among others; the different hallways also suffer from this) have lost their freshness by now, and with that the bland CG starts becoming a bit jarring.

It’s not often when an anime is made about a manga that went down after only one volume. Apparently, the original mangaka ran into trouble with the magazine that Bus Gamer was published in, and only one volume ended up published before it was cancelled. Still, the premise had potential, which is probably why three anime-episodes were made out of it. Obviously, the budget was short, so don’t expect an epic storyline, high-quality graphics, deep characters or an ending that wraps everything up.

What you can expect from this series, however, is a well-developed cast of down-to-earth characters, interesting fights and three episodes that become increasingly more interesting as they go along. It’s especially the down-to-earth-part that makes this series worth watching, as it provides an interesting look at the concepts that were explored by Gambling Apocalypse Kaiji. Kaiji was basically about the scum of society, and made it very apparent that these guys were at the end of their line, piled up in debts and used the sick games as a last resort to get some money.

Bus Gamer is different: it just features three guys who just need some money, are willing to risk their lives to get it and are well aware of all the involved risks. There’s no attempt at all made to make any of them look pitiful, and instead it focuses more on the relationship between these three guys who are so different, and how they grow to get used to each other. The different teams also have no overmoralized respect to the other teams (”thou shalt not kill”, “thou shalt save thy enemy when he’s in trouble”) that is overplayed in so many other anime.

This is really one of these series that you want to watch on a rainy day when you’re bored. It’s nothing special by far, but it’s one of these series that is perfect for entertainment. Bus Gamer could have gone much worse: there’s zero filler, the characters are actually developed a bit (which is the reason why the best episode by far was the final one, rather than the opposite), it’s got a small police-subplot, explaining why the police isn’t doing anything about a bunch of punks, killing off each other.

Words can’t describe the awesomeness of this episode. Before I started to watch this episode, I had NO idea that this series would turn out the way it did here. I’m sure now with this episode: Porfy no Nagai Tabi will be one of the best series of 2008, joining Shion no Ou on this list. Before I delve more into the awesomeness of this episode, first a summary:

Porfy is frantically searching for Mina. Mina, meanwhile, reached a flower stand, with flowers that resemble her own tree. With the bit of money she has left, she buys one of them and walks away again. Zaimis is meanwhile extremely worried, and he blames himself for Porfy’s disappearance. He notifies his mother, Helena and Barnes and Barnes hurries to his car to check the surrounding area while Zaimis and Helena search more around the coast.

Helena really needs to calm down Zaimis. Porfy may have meant well with that final message of his (”we’ll stay friends forever”), but like always, that wasn’t the most tactful move. After all, how would you react if someone would say to remain friends forever, only to disappear afterwards? In any case, Porfy too reaches the flower stand, but Mina’s already away. The seller points Porfy in the direction she went, but Mina has already gotten herself into the car of a local woman, mistaking and offering her a ride to a totally different part of the city. She drops her flower, and THAT’S THE LAST THING PORFY SEES OF HER!!!

Mina gets dropped off near a cafe, where a band of travelling entertainers is working: a woman, and two men. The woman dances, while the two men try to win money by playing card-games (not sure whether or not they’re the cheating-kind). The woman then notices Mina, but Mina walks off again, and she gets called back to her job.

Mina then ends up on a boat (if I recall correctly, the movie she watched took place on a boat). She then mistakes a random woman for her mother, but loses sight of her. It then turns out that Isabella (the above-mentioned woman) and her companions will be boarding the boat as well. It seems to be a boat to ITALY. Mina continues to get scared by the crowd, until she sees the woman who looks like her mother again. She then follows her into the boat, only to find out that she was mistaken.

The boat the takes off, with MINA ON BOARD!

Isabella meanwhile, can also use tarot-cards (Gypsy?), though Mina is still on her mind. Her two companions meanwhile continue with their card-trick. It’s an interesting method they use: they just start playing together, and very soon others will get interested and want to play along as well. Porfy, meanwhile, arrives at the harbour, but of course nobody remembers such a tiny little girl. Apollo meanwhile is very angry at him.

Mina has meanwhile hidden in a corner on the boat, watching a couple. They inspire her to recite a part of the movie, and Isabella manages to overhear her. She then tries to talk to Mina, how she liked the movie as well. The two then introduce themselves to each other. She tells Mina that her partner is called Carlos, and the other guy is Carlos’s father and that they’re playing card games. Isabella then asks Mina her age, and when she finds out that it’s 12, she says that it’s the same age as her daughter, who died from an illness. She then tells mina to return to her mother, and then leaves again when Carlos calls her, though she does return for a bit to give Mina an apple.

Mina spends the night on the ship, trying to sleep against random crates and eventually ends up under some stairs. Isabella’s still worried, but Mina has hidden herself well, so she can’t find her. The next day, Mina wakes up and is amazed at the sunrise. She then starts singing her favourite song, while Isabella her companions are watching. Carlos’ father notes how Lily (Isabella’s daughter) was good at singing as well.

Then the boat arrives in Italy, and Isabella wonders where Mina’s parents are. Mina then finally tells her how her parents have died during the earthquake. Isabella then offers Mina to come along with them. The four of them leave the boat together, while Porfy’s still wondering where Mina went and the episode ends.

Let me first say: holy jumping clamfish on a stick! I knew that the creators were clever at building-up, but I never imagined that they were THIS clever. I remember making so many predictions after the previous episode, and they all turned out not to come true, simply because I didn’t consider the option that Porfy wouldn’t be able to find Mina back! Only now I see what the scene in episode three, where Porfy and Mina lost sight of each other, really meant to say: Mina was just joking to Porfy back then, and she easily found her way back to Porfy. This gave both Porfy as the viewer the illusion that she’d return to Porfy no matter what. Instead, her image of Porfy now is something completely different of what I expected.

It’s indeed true that Porfy turned much more protective of Mina after the earthquake, so you’d think that Mina would be the same: two siblings who lost everything apart from each other. Instead, Mina has been so affected by the shock of losing her parents, that I believe that she can’t make sure who of her loved ones is still alive and who isn’t. I remember noting how she never went against Porfy when he was with her, but it felt like she unconsciously thought he wasn’t going to return to her when he left her.

And then there’s Porfy: will he or will he not return to the refugee camp, after being unable to find his sister? What will Zaimis, Barnes and Helena say if he does? And to think that this is a 52-episode series. It might take till October or November before Porfy and Mina see each other again!!