Okay… Amatsuki has a good chance of becoming Studio Deen’s next masterpiece. Yes, this episode was that good.

I’m left quite speechless by it. Amatsuki has really been the most emotionally intense series of the spring-season so far, and with series as Kaiba, xxxHolic, Kurenai and Himitsu, this HAS TO SAY SOMETHING. I really like how all the good series this season have their own points at which they excel.

It turns out that Toki was called by a god who is the head of a shrine. When he arrives there, the major bad guy first comes into contact with him, and he makes it clear that Toki’s eye is something very special. He does all this in some kind of strange dimension. When Toki returns from this dimension, he’s found inside the shrine. The priestesses of this shrine then get mistaken by the huge demon inside of Kuchiha and think that the threesome is an enemy. Then all hell breaks loose as they attempt to release the dormant powers inside both Toki and Kuchiha, in order to find out their origins, though I didn’t think that they expected to find such a huge beast inside of Kuchiha. The goddess of the temple then shows up, and almost gets crushed by said demon (in the shape of a huge dog). Bonten then appears as well, taking over one the priestesses.

After this episode, I know for sure: Amatsuki is going to be a really special series. Really, so many things happened at the same time, and the result is nothing short of stunning. If you’re doubting whether or not to check out this series, then at least wait till you’ve seen the fourth episode to decide whether or not you want to follow it.

Oh for Christ’s sake! This episode took freaking ages to show up on Share, and even longer to download. I really wonder: how popular is Kaiba in Japan anyways? I remember how even Kaze no Shoujo Emily didn’t run into these problems, and that series probably was one of the least viewed anime around at that time…

Still, this series is pure gold, and I love every single bit of it. I’m an absolute sucker for good series that show how random people deal with its concepts, and Kaiba combines it plot with these random stories in an excellent way. What I especially like his how Kaiba meets the random people, he watches them, but he never interferes with them. He just tries to understand them, and that’s all. The stories of these people would have ended in the same way if Kaiba was never there, and that’s REALLY rare in this genre. It’s a great way of symbolizing the whimsical nature of memory in this series.

I’ve probably said this before, but PLEASE let there be more series like this one in the future. 12 episodes is just criminally short for a series with such a terrific concept. This episode shows a girl who sells her body in order to feed her family. Her memory then gets sent into space, in the hope of someday reaching a new body. Kaiba then steals her body, and ironically enough gets a free ride from the guard, who was sadistic to everyone only an episode ago.

This episode masterfully explores first this case from the perspective of the girl, and once she’s dead it’s the perspective from her stepmother, who was probably the one who suggested the girl to sell her body. The mother first was happy that the girl went, but very soon afterwards, she was full of guilt about what she did.

Kaiba definitely is my top-recommendation for the spring-season. It’s got everything: great graphics, an excellent concept, a fitting soundtrack, terrific characterization, it’s thought-provoking, short enough for a quick watch, and I can go on and on with this list.

As much as I like the animation-style of the OP, the song does get annoying really fast! I’m hoping that if this series actually has more than 13 episodes, it’ll at least change the song for the OP.

In any case, this episode was chockfull of development and background. The big fight that takes place leads to Murasaki knocked out, and her guardian getting incredibly angry at Shikurou. What follows then is finally Shinkurou’s background, as both Murasaki and above mentioned guardian (forgot her name) learn more about the guy. It turns out that he not only lost his parents in that accident, but he also got picked up by what looks like child-smugglers. The interesting thing is that Ginko was with him at this time, and apparently he learned to fight because of Yuuno, who seemed to already posses a black belt in Judo when she was twelve.

There’s still no explanation of that strange body of Shinkrou, but now we at least know why he had trouble with his elbows: when he gets out of control, spikes not unlike those we see in Soul eater come out of his body, though for Shinkurou, this hurts like hell. Benika also tells about why she helped Murasaki escape, as it was basically a request by her late mother.

I’m also curious about the villains of this series, especially since Red Garden spent such an surprisingly large amount of time on Hervé, and yet we’ve seen hardly anything about the bad guys in Kurenai. I really hope that the director will give them the same treatment as Hervé, because this guy has really been one of the memorable villains I’ve watched.

And this episode is exactly why I fell in love with the first season! This episode features Watanuki and Yuuko, exploring a certain concept again, just like many episodes in the first season did. Now that I’m watching this series raw, I have even more respect to the fansubbers of this series. Not only do they have to translate, they also have to find out the different jargon that’s used to denote all the different spirits. It took myself quite a while that “Zasshiki Warashi” basically means “Vestal Sprite”.

There aren’t many series that take an in-depth look at their own themes, but the ones that do nearly always turn into real gems. Jigoku Shoujo, Ghost Hound, Mushishi, just to name a few. At first sight, the episodic format of Jigoku Shoujo, Mushishi and xxxHolic might seem distracting, but it’s much easier this way to explore your theme from different angles, rather than through one continuous storyline. That’s also another reason why Ghost Hound deserves so much credit with its looks at psychology.

This episode is about dreams, and about transferring the dreams of others to yourself. In this way, the creators also manage to slip in a bit of foreshadowing about Himawari’s upcoming story-arc (I have no idea what’s up with her, but the manga-readers seem to love her background). There must be at least something wrong with her, if she’s dreaming of giant one-eyed spirits that swallow her. We also manage to see for the first time Domeki’s grandfather, who reveals something interesting about Domeki as a child: he used to dress in girly kimonos. I can’t wait for the next episode to see Domeki’s reaction when he finds out, and even more to Watanuki’s reaction to Domeki’s reaction.

Okay, this episode was fair enough. It did a good job in pointing out the inexperience of the two main leads. I don’t like how easily Alto managed to learn to perfectly control his craft, but at least he still doesn’t understand tactics yet. What also surprised me was that Ranka didn’t end up winning the miss Macross Frontier-contest. At that point, things seemed so obvious that I thought that the creators were just trying to give her an important role in a quick way, but thank god I was wrong, and the creators turn out to be a bit more subtle than that. After all, it’s probably the first time she sang in front of such a huge audience, she felt out of place, she was full of nerves. It would have been a very glaring plot-hole if she did end up winning that contest.

This episode also introduces a bunch of new characters, among which a big-boobed giant with bright blue hair who can turn into a little girl whenever she’s not piloting. She offers another hint as to why Ranka’s special: her brother rescued her ten years ago from god knows where, so who knows what happened in her past? At the same time, this giant, when she’s in little-girl form also has bright hair that has a mind of its own and it’s just as brightly coloured. They could be of the same “race”.

We also learn that Saotome’s father is some kind of famous person, though they seem to hate each other. No sign of his mother yet, if I’m not mistaken. This episode also introduces a human factor in the enemies, as this time, a manned mecha comes to attack Macross Frontier. One thing I hope for this series is that it’ll provide enough attention to these “bad guys”, and doesn’t focus too much of its screen time on Ranka, Alto and Sheryl. I’ve seen many series that screwed up with their villains, simply because these people weren’t fleshed out enough. A damn shame.

In other news, the animation was different from usual. It seemed much messier than the previous three episodes. I like this kind of animation; it makes the characters feel alive, rather than a bunch of drawings in a series that just uses minimal animation.

This was definitely the best episode of Allison to Lillia yet. I’m really surprised and impressed by it: I thought that the entire Allison-arc would revolve around the war and the search for the treasure, and yet both storylines get resolved in just one episode. It really makes me wonder what the rest of this series will be about.

I think it’s clear by now that the plot-twists in this series take a lot of liberty, as symbolized by Allison’s whimsical nature. In this episode, Benedict also changes sides really easily, and the war is over before you know it. There’s not even a scene where the important people see the treasure; it just ends and we can only guess the real reason behind it. But I think that that’s one of the charms of this series, and it manages to keep its combination between a light-hearted mood and serious themes this way. I’ve been a rather large advocate of realism lately, but this series shows that you can be good even without a huge focus at realism.

Also, that airplane-fight in the first half of the episode was very impressive. It’s been a while since I watched a fight in mid-air that didn’t involve mecha. The music also showed some of its best sides so far in this episode. Overall, if these four episodes gave away a small taste of what’s left to come in this series, then I’m in!

Ah, like expected, things make a lot more sense now that the introduction-episode is over. This really was a Chane-episode; as she really gets a lot of development that built further on her encounter with Vino on top of the flying pussyfoot. Om top of that, Jacuzzi and Nice also get some really appreciated background. Now all that’s left to wonder is what the purpose was between Rachel and Czeslaw’s encounter…

Jacuzzi this time really shows that in Baccano! characters go much further than in regular anime, and it’s not just limited to Ladd Russo and Graham Spector. What other character would scar his face, just because a friend of his got scarred for life due to an accident? What other person would just turn himself in to collect money from a bounty to release another person from a ransom? I think that in his case, he’s able to do these extremely nice things because of his friends, who somehow manage to pull him out of any screwed-up situation he got himself involved in.

Chane is after Czeslaw the second person to undergo a drastic change, when both Jacuzzi and Rail Tracer treat her nicely, something that she only knew from Huey.

I think we’ve also got a first for a Baccano! episode: there was no Isaac nor Miria. They’ve been surprisingly distant from the DVD-only episodes so far, especially considering how they’re the two most central characters in this series. I do hope to see a bit more of their antics in the final DVD-only episode. It should be released on the 28th of May, and according to the title, we should see Carol again. Fair enough, that should provide a nice closure: to end where everything began.

I must say that Maki has a great personality as a leader. He’s scary, but not in the way that he loses his entire personality. This series has done really well to show that the guy’s got experience. I’m really glad that this season came with so many series with adult-characters. I mean, teenagers are nice and all, but seeing teenagers in every single series does go too far. The picture that these offer is just too one-sided.

In any case, this series really knows how to deliver its mystery well. The picture that the president shredded turned out to be the one of his daughter’s fiancée: Ross Macaulay, who turned out to be a terrorist. The president didn’t know any of this, until the guy delivered a note to the president, telling him to meet at the lighthouse. When the president got stabbed, he realized that his daughter was dating a wrong guy, and yet he tried to protect both her and her fiancée by shredding the picture of him that he carried right before he died, in order to lay as little connection as possible between him and Ross Macaulay.

Aoki realizes this, because he’s in the same situation with his sister. She too is dating the wrong guy, and yet he can’t get himself to separate the two, and he’s always watching from a distance. The great thing about this episode is how everything comes together, and yet it does force you to think about the case. And that’s EXACTLY why I like mystery so much.

I’m still surprised at how solid this series has turned out. It keeps interesting things on the table, while not forgetting to provide background on its different characters. No character feels useless. This episode continues to create a good base for the second half of this series to work with. It’s the least eventful episode so far, but instead the characters get some extra attention. Even the bad guys get a surprisingly large amount of screen time. They’re still flat at this point, but there’s good potential for them to actually develop at the end.

My favourite character of this series so far surprisingly turned out to be Shu. He’s a strong character, he’s no idiot, and yet he doesn’t feel like an overpowered all-knowing action-hero. All the things he’s done up till now make sense. In this episode, he realizes he’s being observed by high-tech cameras at the scene where everything began. Due to the transvestite, he’s used to being observed, which sortof explains why he was able to notice them. Afterwards, he ends up being followed, and instead of going home and leading the enemy to Sara, he just fools around with as many women as possible.

Meanwhile, Manami and Ayaka are looking for an old classmate of Manami who now has turned into some kind of idol who happens to visit the town. They go past one of her other friends who became a guitarist who just made his debut. In the end, they find nothing about her. In the end, Akira finds her address because of how Ayaka wanted Manami to find her classmate. However, Manami refused the help of others earlier, saying how she wanted to find Yuuko (the classmate) on her own. She then gets angry at Ayaka, and then it turns out that Ayaka is indeed a person who gets hurt quite easily. Shu also rescued her from a bunch of punks once, which is probably why he took her in.

The doctor meanwhile gives Sara a strange potion that causes her arm to turn into glass at the end of the episode. Shows a lot of promise for the next episode! I’m also glad to see that Manami’s voice-actress is getting less and less annoying. It takes a bit of getting used to, but it’s something different and it does fit her naive and ambitious character quite well. She’s especially good in her quiet moments, when she isn’t screaming.

I love the thing that this series is trying to prove: you can even have a great story if your main characters aren’t perfectly looking guys or girls. So many of them have lost their parents, so many of them have had a troubled childhood and they’ve had to endure the most horrible things in some cases, but nearly all of them have a perfect thyroid. Minamo may be annoying at times, but the only other female main character in anime that I can recall who doesn’t look perfect in every single way is Sunako from Yamato Nadeshiko Shichi Henge. Heck, even among major side-characters you hardly see any non-perfect-looking girls or women. Gintama and Blue Drop are the only two that I can name out of the top of my head. In the same way, I can’t remember any other anime with a main character of above seventy years old apart from Millennium Actress.

Anyway, enough blabbering. It indeed turns out that the diver from the previous episode was Haru, and in this episode attempts are made to find out what made him change back to his 30-year old self inside Metal. A few tests are run, to see whether he’s an able cyber-diver, but after numerous tests, he keeps on failing in his original body. In the end, it turns out that Minamo, combined with a dire situation is able to trigger this change. When Minamo checks up on the guy, for a minute she sees the face of his younger self. I’m not sure whether that was just her imagination, or the influence of Metal is more than just on-line. This episode already showed that divers are screwed if they dive too far into Metal and lose consciousness, because you actually need to get your cyber-body back. Much like the Matrix, actually.

On a totally different side-note: the fansub-scene has changed quite a bit compared to two years ago. Really, at this point, roughly two weeks after the start of the season, RD and Kaiba have finally also gotten subbed and the only unsubbed series left is out of all series Toshokan Sensou. I remember that two years ago, I had to wait four weeks until the majority of new series had gotten its subs. The fansubbers are slowly changing from quality-based to speed-based. I remember how back then, people used to talk bad about speedsubbers, but right now everybody seems to have accepted them.