Definitely the best episode of Macross Frontier yet! While from the outside, this looked like a series with a huge story, the huge focus of Macross Frontier does remain its cast of characters, and of course this needs a bit of time to warm up. When such a character-focused series starts, you’ll also never know whether the creators will handle the character-development well, or fail to develop the series properly. It’s always a hit or miss with these kinds of series, but it seems like Macross Frontier is heading towards the hit.
Most episodes so far have been either mostly serious or mostly silly, but this is I think the first time that an attempt is made at a combination of both. The result works out really well. I think I’ve accepted by now that realism isn’t the strongest point of focus for this series, so the way Ranka eventually became famous is actually really well done. She saw her chance to play in a movie with some big names on it and grabbed it, cheered on by Alto who ended up playing the male lead due to his fame as a certain princess.

I do want to note, though, that the animation for this series is becoming a bit disappointing, considering its budget. And I don’t mean that this series doesn’t look gorgeous: the art is really pretty, but I keep having trouble taking screenshots, simply because the characters’ faces keep ending up distorted. Especially Ranka and Alto are guilty of this. Having a huge budget is okay, but that does not mean that the drawings are allowed to get sloppy. That’s the difference between the huge budget of Macross Frontier and Seirei no Moribito: Seirei no Moribito focused on solidness, while Macross Frontier is more aiming at creating a spectacle.

After the previous episode destroyed my suspense of disbelief, I just have to wonder why Watanuki never thought about contacting some kind of child welfare agency. The media were also portrayed as a bunch of idiots who blatantly use their own opinion. Thankfully though, this episode was much better than the previous one, and after the introduction it focused more on the relationship between Kohane and her mother than it was about “feel sorry for this little girl!!”

Overall, it was a nice conclusion, even though I’d have liked to see a bit more about how Kohane and her mother changed, but I guess that that’s left up to the viewer’s imagination. What especially caught my attention was how strong Kohane actually was, and how easily Watanuki seemed to think that he could just take care of Kohane for the rest of her childhood.

Still, this has been the weakest arc of the second season of xxxHolic, unfortunately. I still can’t quite figure out the point it was trying to make. It never really introduced new stuff, nor was it as thought-provoking or fun as the other episodes of this series. Let’s hope that Himawari’s arc won’t disappoint, after all the hype it’s gotten.

Edit: I’ve read now that manga-readers are angry at this arc, because the creators completely changed it. I must say that the parts that were changed were ironically not the ones that disappointed me in this story, and in a way, it makes sense to portray Kohane as a strong girl, who just needed the courage to stand up to her mother, instead of making her go to Yuuko and just ask for help.

As this episode was mostly boring, I’m going to hijack most of this post for something completely different that caught my attention. I stumbled upon this post, referring to this piece of art, that rants against the lack of shading in the anime of the 21st century.

Ironically, it’s done by the same guy who posted those documentaries on fansubs. This means that there indeed is a lot of one-sided bias against today’s anime. The guy’s very selective about his examples: most of the images from the eighties are from OVAs, while the recent images are all from TV-series. Of course these have a bigger budget. There are enough anime from the eighties with cheap animation as well (Gundam, anyone?). The guy obviously is a narcissistic elitist, but I admit that he does have a point.

The fact remains that the shading in recent anime is usually minimal. I never really paid attention to it, but very rarely do I see a second shade-colour, let alone a third. I’m not going to deny that Hyper Future Vision looked absolutely gorgeous, with its distinctive art style, and it’s such a shame that today, so little anime try to experiment with shading a bit.

Of course, not every series needs shading. Porfy and Kaiba hardly have any shading at all, and yet they’re among the most visually pleasing series to currently air. But the fact does remain that creators could play so much with different kinds of shading, and you hardly see anything of it.

Nowadays, the trend seems to be incredibly detailed background art if you want to show off your budget. It would be interesting to see series break away from this trend, in order to focus more on different kinds of shading. There are of course exceptions here and there, but I do agree that things could be more varied, though I think I’m going to pay more attention to this in the future.

But indeed, there are enough exceptions and Otaking seems too stuck up to notice this. If he happens to read this entry through some strange reason, then I advice him to check out Shion no Ou. Obviously, the show had a small budget, but it’s the perfect example of a show that really tries to play with its own art style, and the best shots are absolutely gorgeous, with intricate shading, creative poses. It’s the perfect example of a visual feast that tries to think outside the box.

Anyway, a bit more about this episode of Kurenai: I guess my expectations worked against me for this time. For this series, I expected an action-packed finale, just like the first episode suggested. What we get is a Shinkurou who needs an entire episode to figure out that he wants to save Murasaki, wasting precious time for this series. This is especially aggravating since a similar series, Crystal Blaze, is about to finish with a huge finale that keeps building up speed, while Kurenai seems to slow down more and more as it goes on.