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June 8, 2008

Nijuu Mensou no Musume - 08


Boy, how well this series turned out. To think that even at episode eight, Chiko still hasn’t grown up to the version of her we keep seeing in the OP. Every part of this series suggests that the creators are continuously building up, and this building up is already starting to pay off.

The robot turns out to be a humanoid weapon, thereby introducing a supernatural element in this series rather forcefully. If I understood correctly, then the country Chiko lives in (I assume Japan) tried to develop humanoid weapons, though they were never able to be used in the war, because it ended before this technology could be perfected. The woman and robot we saw in the previous episode turn out to be the leftovers from this research: they’ve got superhuman powers but at the same time they seem to be suffering. I’m not sure what kind of torture their bodies go through.

But such a huge and lumpy robot was of course a perfect opponent for Chiko to handle on her own, since she herself was small and light. It forced her to take advantage of this. At one point, the animation style also changed completely, in a really messy kind. It’s interesting to consider how this isn’t the first anime to use this technique, and the fact that they’re used for major fight scenes (take for example the last episode of Macross Frontier, or the final episodes of Shion no Ou). But I do want to urge the creators to be consistent with this style, and not just have one such scene in the entire series. The reason why this worked so well in Shion no Ou was because the animation was building up for it.

Chiko’s future side-kick also surprised me. She’s further away from the spoiled brat than I imagined. As it turns out, she’s incredibly rich, and has to live with the future prospect of marrying at her eighteenth and living a boring life without having to do anything. As she’s really tomboyish, she seems to have convinced herself to live her life to the fullest while she still can, and so she came to overglorify anything that resembles cool adventures. Now I also understand why she’ll easily make friends with Chiko.

DNA² Review - 81/100


There aren’t many shounen romantic comedies that I’ve actually liked. Most of them end up dull, stereotypical, clichéd, uninspired, too much focused on moe, et cetera, et cetera. Though once in a while, one comes along that’s actually worth it. Examples of this are Magikano, Umisho and of course Mahou Tsukai Tai. Thankfully, DNA² managed to join this list.

Really, how often do you run into a harem where it’s at least made plausible that every single female falls in love with the loser male lead. Him being shot by a bullet that turns him into a mega-playboy may sound a bit far-fetched, but it works surprisingly well in this series. It makes sure for a couple of hilarious situations, and the love-triangles that emerge from it are actually worth it. There are no fillers, and the creators know exactly how to use their time and keep things interesting, with a plot that continues to get pushed forward.

Unfortunately, there’s a rather large downside to DNA²… The comedy is hilarious, the romance is rock-solid, but the action downright sucks. These action-scenes have a nasty tendency of getting in the way of what’s really important in this series, and the characters turn into super-saiyan wannabes with way too exaggerated power-ups. This anime especially falls flat on its face during the OVA that concludes this series. The comedy is entirely taken out, in favour of a more epic plot, but at the same time it also degrades into a boring cheese-fest, and the actual climax is downright disastrous. I could have tried to sugar-coat this, but you know when the creators are having a bad day when they’re reaching out to use the power of love as a plot device.

Nevertheless, DNA² is among the better shounen romantic comedies. Especially the first half is really worth watching, and many of its current counterparts can learn a lot from this series, for example comedic timing, proper build-up, the avoidance of stereotypes and a bit of wit.