Now that’s an aftermath! I’ve lately noticed that a lot of aftermaths in anime after a big climax are relatively boring, where characters do nothing but angst and try to let the events of said climax sink in. It may be because I’ve seen things like these for too many times, but they’re often disappointing and break a bit of flow.

Crystal Blaze does things right, though. It may be an aftermath, but it wastes no time to not only let the characters catch a breath, but it also wraps up the involved parties and sets up the interesting stage for the next episodes. It was really fun to see all the different parties do their own thing throughout the episode, but that’s just a personal preference of mine.

And of course it was obvious that Manami and Ayaka would screw up and get captured. She still has her attitude of wanting to do something important, and in her worries for the wounded Akira, she forgot to pay attention to hide herself. There was nobody there to stop them, so it’s in any case much better than Shinkurou returning home in Kurenai. What surprised me was how sensei swapped sides so easily. Could this be a trick to fool the enemy, or is he genuinely interested in Kitoh’s research?

I’m curious, though. There are two episodes left, and with a plot this fast, there’s got to be more than “Ayaka and Manami are saved, Kitoh is dead”, especially with the pacing of this series. It would be a shame for the pacing to die down at this point.

Hataraki Man joins Omoide Poro Poro on the very short list of anime with a female main character who’s older than 25. It’s another series to have aired in the famed Noitamina-timeslot. It’s an anime about a workaholic. I originally dropped this series because I didn’t think that such a concept wouldn’t be worth exploring. So I was wrong.

Hataraki Man is a series that’s always critical of itself and its characters. Throughout only eleven episodes, it shows how the female lead (Hiroko) and her colleagues deal with their jobs, how they manage their stress, why they work the way they do and what goes on inside their minds. Every episode focuses at a different side-character, along with Hiroko. What we have here is a well-written series with characters you can connect to. Some episodes also refer to events that happened in past episodes, creating a series that feels whole, instead of a bunch of random episodes.

It’s almost a shame when the final three episode take the focus more away from the side characters, onto Hiroko. Don’t get me wrong: it’s here where the series manages to deliver some powerful climaxes, but somehow it feels a bit out of place in this series. Because of the extra attention to Hiroko, several side-characters end up left behind without development, even though they had enough potential to be put under the magnifying glass. The final three episodes also try to stuff a bit too much bad luck for Hiroko in too little time, and the result feels sort-of soap-opera like.

Nevertheless, we’ve got ourselves a very fine example of Noitamina here. It’s got energy, a good rocky soundtrack, OP and ED, the setting is very original for an anime, and I feel like anyone who’s dealing with stress. Although the animators do need to pay attention to their romanji a bit. ^^;

Yet again I notice that strange effect with this series, where every episode just feels like it’s just ten minutes long instead of the actual twenty. This episode goes back to the diving, as a computer with a highly advanced AI named Eliza is discovered on the bottom of the sea-floor, and it kidnaps Haru.

I’m not sure how to explain it, but this episode combined the first few episodes of this series, where Haru would dive and Minamo would guide him, with the mystery-roots of the following episodes, which were more focused at exploring one particular issue in the metal. Minamo this time ends up diving in the metal inside a special suit, to go after Haru, although you can see the disadvantages of not being “cyber-ified”, because her body is struggling heavily to get through it. This episode was both meant to strengthen the bond between Minamo and Haru and to show a bit more about the capabilities of AI.

The question also remains: why was Haru the only one whose consciousness was taken away, even though Eliza seemed to talk with many different people? This too can be related to the accident Haru had in the past. I’m looking forward to the next episode, because according to the preview, it’ll deal with Matsuda. I’ve been dying to see some background on the guy.

First, I’d like to thank everyone for voting for Star Crossed at the Anime Blog Awards. While it was indeed obvious that Random Curiosity would dominate the category for “Best Episodic Blog”, I’m glad to see that I managed to walk away with the bronze award.

Anyway, about Soul Eater: this episode was another one o those building-up episodes. Tsubaki’s brother seems to be causing trouble, possessing his victims and forcing them to go on a killing-spree, so Tsubaki goes after him. The next episode should tell us more about why the heck he’s ended up doing things like that.

But really, is it me or is Black Star a bit too similar to Naruto? Sad past? Check. Shunned for things that aren’t his fault? Check. Acting highly energetic because of this? Check. Stupid haircut/outfit? Check. It’s good thing that he’s not involved in any rivalry, and his relationship with Tsubaki has done a lot to make up for this. I especially liked how he doesn’t seem to care whether Tsubaki uses him for her own goals or not. I’m still not impressed by the fights in this series, but the special bonds between the weapons meisters and their weapons have been getting better and better.