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September 16, 2008

Ultraviolet: Code 044 Review - 85/100


Every season has its most underrated series for me. For the past summer season, this was without a doubt Ultraviolet: Code 044. It only got one episode subbed, and that episode received masses of bad reviews. Because of all this bad publicity, this series received no chance at all to show its goods, which is a pity, since it’s actually a pretty good series. If you know what you want to watch it for.

Let me get a few things straight before I continue. This series is part of a whole Ultraviolet franchise, which started out as a series of comic books. Previously, it had already been adapted into a movie, which sucked beyond belief. That’s yet another one of the reasons for this series’ lack of popularity. Let me assure you, though: Code 04 is nothing like its movie counterpart. The movie was a horrible mishmash of random action scenes, while the anime manages to avoid these pitfalls.

So, yes. Code 044 is an action-series, but it knows that you can’t make a good series with action, and so it has a very solid and simple plot to keep it going. Whenever the characters are not fighting, they’re being fleshed out or developed. Not a single scene is wasted. To those who might have feared that this series would fall into a bunch of random fillers: it doesn’t. This series has a very clear goal and purpose, and manages to balance the action, plot and characters very nicely.

Part of the reasons why everything worked out so nicely is that the series has a stellar director: Osamu Dezaki. Very few people have the same amount of experience as he does, and he not only manages to use this experience to avoid common pitfalls like characters that aren’t fleshed out enough, rushed endings or cheesy dialogue, but he also manages to turn the screen into a visual feast, even though the graphical budget is often limited. The action-scenes themselves are mostly consisting out of still frames, but the effects that Osamu throws at you give it a great sense of style. He really likes to overuse CG, those sketch-like frames and split screens, and it really works. If you’re into experimental visuals, of course.

In terms of flaws, this series doesn’t have any major ones, but it’s just not a series for everyone. There are some strange instances of fanservice in the first episode, but after that the fanservice disappears nearly entirely. The plotline is very simple and for most of the time straightforward. It never tries to be anything deep or thought-provoking. It’s just one of those examples of “anime as entertainment”, as in: don’t try to find anything special behind it, because there is none. It just wants to tell a story and entertain the viewer. And for me it pretty much accomplished that feat

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10

(*a small note: like I mentioned somewhere earlier, a high number at production-values doesn’t necessarily mean smooth or detailed animation, but rather whether the series “looks” good. Which was for me the case, although do note that the character-designs are very unconventional for anime)

Ultraviolet: Code 044 - 12



Short Synopsis: Luka tries to rescue King, and more things happen which I’m not going to spoil here.
Highlights: So different from what I expected!
Overall Enjoyment Value: 8.5/10
Whoa! That was actually a really good ending! This episode was among the best episodes of the entire series, and it exactly knew how to use the things it built up for, and carried them further. Here I just expected 044 to go after Luka in a sudden flash of guilt. Here I just expected Daxus II to easily finish off Luka, only for 044 to finish him. Oh, how wrong I was! I expected the final episode to focus on action. Instead, I got a final episode that focused on character-development.

As it turns out, 044 infiltrates indeed Daxus’ headquarters, but not because she wants to help Luka. Instead, Garcia managed to find out from who 044 was cloned (more on that below), and she wanted to meet that person, who just happened to be sealed inside Daxus’ headquarters. Instead, it’s none other than King who kills Daxus II. A very fitting combination, considering the things that Daxus had done to him.

I’ve seen quite a few solid series, where you’d expect a great ending from, disappoint in their finale. For example, Ghost Hound and Dennou Coil: both were very well written, and yet their endings were rushed, and in Ghost Hound’s case it was all over the place. Ultraviolet, though, manages to use exactly what it’s been building up for to provide some nice extra twists, like how Daxus II is actually a clone of his father, but refuses to admit it. Fear o fhis own identity fits his character exactly.

And of course, there was the twist that 044 is Ultraviolet’s clone. Now everything makes sense: she was the one who unconsciously spoke to 044, and this is also the explanation why 044 was such a badass fighter. This also laid an appreciated parallel to the movie, however bad it may have been.

Then there’s the aftermath: Daxus’ headquarters blows itself up. I didn’t quite catch why, but nevertheless it was a very fitting end to such an action series. I also loved how absolutely zero budget was spent on that explosion. It’s just about the opposite a normal action series would have done. I really appreciate the subtlety of it all.

And the three that survived in the end were Garcia, Matilda and Luka. I especially liked the way that Luka managed to survive: you never actually see the guy escape, he just lives. It’s up to the viewer’s imagination of how he managed to get out of that exploding building in time. I must say that it was a very nifty way of the creators to save some time, rather than to increase the pacing elsewhere and make the ending rushed. We don’t really need to know how Luka escapes. It’s irrelevant to the story. All we need to know is whether he survives or not.

And finally, Garcia. I really like how this series never put him into a love triangle with 044: he knew that she had feelings for Luka, and decided to help her as a friend, preventing this series from delving into a pointless love triangle. I think we can thank Matilda for that as well.