December 24, 2008

Bonen no Xamdou - 20



Short Synopsis: Not going to put that here due to spoilers on the anime blog aggregators.
Overall Enjoyment Value: 8,5/10 (Awesome)
Okay, so while the previous episode felt a little underwhelming, this one was utterly amazing. It’s here that you can really see how much the building up in the beginning has paid off, and for how many episodes the attack on Sentan Island was still mentioned. It really got the message through that people die during these attacks, and that made this episode, where the Southern Government suddenly crashes down on the Tessik Village all the more powerful.

What I found ironic is how only a few episodes earlier, the soldiers of the Northern government were too scared to shoot at a friend. And here they’re basically trying to kill off tons of innocent people. It seems to me that Toujiro has made sure to prevent them making the same mistake twice.

And again this episode demonstrates how awesome the monster-designs of this series are. Kujireika really seems to have lost it, but the imagination that went into her new character-design must have been huge.

The rest of the episode was mostly building up, though with this series, that’s always a good thing. What stood out for me is that Akiyuki and Haru are finally getting tied to the main storyline again. After all, the two at the beginning of the episode had no real reason to be involved in the war: they were just a travelling couple. Still, now that it seems that the white-haired kids have contacted him, he’s probably the first of the Xam’d to lose his face, and then get it back again, and somehow that is good for the objective of these kids. Whether the talking eye ball was part of their plans too, I don’t know, but there’s a good chance for that.

Mouryou no Hako - 12




Short Synopsis: Akihiko gathers everyone to tell them about the things he discovered.
Overall Enjoyment Value: 8,5/10 (Awesome)
I don’t think that for the past year, I’ve ever been this frustrated at a climax than with this episode, apart perhaps from Kaiba. This episode was simply amazing, and then the creators stick in that damned cliffhanger just at the parts where the juicy parts really are about to begin! That final episode can’t come soon enough.

But really, with a series of this calibre, it actually has the chance of being my favourite ending of 2008, with all the building up that has basically been meant for that final episode, and the big questions still aren’t revealed, even though the huge amount of revelations in this single episodes. I’ve probably said this before, but I really have pity with the poor fansubbers who have to translate and typeset this series. This really is something else, and I’m still utterly amazed at how many open questions the creators managed to create without me even realizing it.

So, let’s see if I got everything correctly: The scientist whose name I forgot is actually Youko’s father, and one of the culprits is Suzaki, the one who died. In the last episode, we didn’t see Atsuko, but instead Youko (my mistake). When Kanako got in her accident, it was actually Yoriko who pushed her, after being inspired by reading Sekiguchi friend’s novel. The trigger was seeing Kanako crying (probably due to Youko, I think that it was then when she found out about how her sister was actually her mother). The man in black coat was Akihiko himself, who seems to have witnessed the event.

When Kanako was caught in the accident, her wounds couldn’t be treated in a regular hospital, so Youko desperately tried to search for a different address. That’s why she wound up at her father’s, and it was Suzuki who she talked to. It then seems that Suzaki was the one who chopped up Kanako and moved her out of the research institute in BOXES, in order to avoid detection. After that, something came and killed him, just like how Kubo Shunko was silenced. The question now remains: who the heck was that?

The way the episode ended was just filled with question marks: what is Kubo doing at the research institute if he’s supposed to be dead? Why did Akihiko say that they’re “inside Kubo”?

At this point, I can’t say whether Mouryou no Hako has been the best series of the past Fall season, since half of them aren’t over yet, but it’s definitely been the best series of the fall season that only lasted 12 or 13 episodes. At the moment, I can’t wait to see what the creators have in store for the finale.

Kurozuka Review - 82,5/100


From the director of Death Note, Kurozuka is Madhouse’s latest action series. This time, it’s packed with lots and lots of Japanese-styled horror, and comes in a package that just oozes style. With an OP that’s even more extreme than the second one from Death Note, this is the perfect watch if you need to lose some frustration, pump some adrenaline or find some other excuse to watch a bit of tense action.

Because really, this series hardly gives the viewer any time to take a breath. There are lots of quiet moments throughout the series, but even they remain clouded the show’s very thick atmosphere, as it prepares for the next climax. This series set out to create an combination between action and horror, and it pretty much succeeded in this.

But yeah, Kurozuka is all about action and atmosphere, so don’t even try to expect something special from the plot or characters. The plot is actually pretty decent. It’s simple, yet it’s got a number of surprising plot twist, and even though the ending isn’t going to answer every question that’s left behind, it succeeds in keeping an air of mystery around the show.

The problem with this show is the cast of characters. They’re just… there. They hardly get the time to be fleshed out, but none of them make a particularly strong impression, safe for a few minibosses, who manage to provide the best action-scenes of the series. The main character Kuro has his own background, but we never see any sides of him, other than the silent stoic side that doesn’t talk a lot and wants to fight.

But then again, if you want deep characters, you can always watch a different series. Kurozuka knows exactly what it is: an action flick that never really goes anywhere deep, and that’s where it succeeds at. The graphics for this series are downright awesome, and they turn every single episode into a visual feast. There’s always something nice to look at and a continuous atmosphere. My only real complaints are that the ending doesn’t fit the tone of the rest of the series, but nevertheless I personally enjoyed watching this series a lot.

Storytelling: 9/10
Characters: 7/10
Production-Values: 9/10
Setting: 8/10

Kurozuka - 12



Short Synopsis: The plot of this episode is obviously going to be one big spoiler, but even then it can’t be summarized in just one sentence…
Overall Enjoyment Value: 7,5/10 (Good)
Aha! So the creators decided to go for a big WTF-ending. And WTF it is! Since I kept associating this series with Ultraviolet because of their similarities, i expected a similar ending, one where all the threads that were left hanging were wrapped up inside a nice conclusion. Well, even though Ultraviolet’s conclusion was pretty straightforward, this one MOST CERTAINLY ISN’T.

I’m still not exactly sure what the heck went on there. Kuro first slaughters the kabuki players (of which I have no idea what they were even doing there), suddenly blood comes raining down from out of nowhere with buckets at a time and then he finally arrives at the room where Kuromitsu is. The one who’s talking to her: Benkei. That bugger seemed to have received immortality was well (or at least a body that ages very slowly, as becomes apparent later in the episode).

As it turns out, he was no traitor, but instead he couldn’t bear to see his friend that’s fallen in love with such a person as Kuromitsu, which is why he betrayed him. I’m not sure whether he was actually in love with Kuromitsu, or didn’t see her fit as someone who Kuro should love… it’s there were he obtained a body that wouldn’t die, though over the years, his body did age a bit, as he’s turned into an old man. As it turns out: Kuro has become immortal, but Benkei chopped off his head. Apparently, he spent ages without any body whatsoever, and that’s why Kuromitsu created Kuon to serve as a body for Kuro. That plan failed, however, and in the end she had to settle with a random soldier from the bad guys.

Okay, so far so good, but why did Kuromitsu still go after the guy’s head once he got a new body? I’m still not sure at this point, and the rest of the episode didn’t make things any clearer: Kuro and Benkei fight, Kuro wins. Kuromitsu then finally manages to chop off Kuro’s head. Time then reverts, we see a bunch of flashbacks and we suddenly see Kuro and Benkei again as if they were in the first episode, only with the rest of their surroundings destroyed. Eh, what?!

To be honest, I’m not sure whether this was the bets ending the creators could have gone for. Sure, the confusion is fun and all, but it’s leaving a strange taste in my mouth. The threads, such as where did the bad guys come from, why did they last 1000 years, and why did they work together with Kuromitsu in the end are unsolved. What was the purpose of the kabuki players, why are they so keen on killing every single being? What’s up with their blood obsession? What was Benkei doing at Kuromitsu’s, after 1000 years? I really need to watch this episode with subs, but even with that there are just too many threads left hanging for this series.

Overall, it was a fun series, and it’s got an excellent sense of horror, but when I have to compare this to Ultraviolet which aired this summer, then I’d prefer the latter. That mostly is due to the rather lacking characterization, that’s plagued through this series, safe for two or three episodes. Ultraviolet on the other hand did have a strong cast that was fun to watch.