Short Synopsis: Ouri continues with his training to not die.
Overall Enjoyment Value: 7/10 (Enjoyable)
The fanservice…. wtf… This series was supposed to be subtle. What the heck is up with the new ED? Why does the first scene of this episode start with a naked Makina? Seriously, I don’t mind a bit of fanservice here and there (the first season was pretty much fine here), but this is really becoming too much…

Nevertheless, this episode did well in exploring one of the main themes of the second season (besides the fanservice, that is): the relationship between a Shikabane Hime and her contractor. That’s another advantage of having so many Shikabane pairs as in this series: they all have a different relationship between themselves. They’re also equally important, and it’s not like the lead combo of Ouri and Makina gobbles up all of the attention in this series. The first season also had a number of annoying parts, so there’s still plenty of potential left for this series to work with. It’s a good thing that it’s still continuing to develop its characters, and that’s the most important part here.

I must say that Makina turned out to be completely different in the second season from what I imagined of her. Now that she lost the one she could depend on, she’s really totally lost it. Her quest to avenge her own death gets mixed up with a quest to avenge Keisei, up to the point where she loses sight of what’s best for herself. It’s going to be easy whether the creators can pull the scene between her and Ouri, where she finally accepts him as her contractor, off without any cheese.

It was really hard for me to start watching this series. The 1984 version of the series was really bad, and I wasn’t looking forward to the same bad execution for 51 more episodes. Still, I’m glad that eventually I did give this series a chance. This isn’t simply a case where the new creators improved the show at certain areas. What we have here is two versions of the same story, where one of them is utter crap, while the other is downright awesome. This really shows what good execution can mean for the overall quality of a story.

Especially when you’re making an anime about a talented actress, you need to be extra careful to fully understand what you’re adopting. The creators of the 1984-series clearly didn’t, and turned the lead character (Maya) into some sort of hopelessly over-acting Mary Sue, and they failed to emphasize that Maya was just a frail little girl, and that her talents came not from being incredibly talented, but rather her one-mindedness and ability to completely shut herself off from the outside, which was perfectly portrayed in the 2005 version.

The new voice actress also really helped: Masako Katsuki as Maya was one of the biggest miscasts you could imagine (think in the order of magnitude of putting Norio Wakamoto in the role of a young school-boy). Sanae Kobayashi however, does a much better job at portraying Maya, and that’s an understatement. Both when she’s on stage and when she’s herself, her voice captures the right nuances and makes for a believable and captivating actress.

The biggest strength of this series is its cast of characters, and then especially Maya and Ayumi full well-rounded characters at the end of the series. The rivalry that develops between the two of them is definitely memorable, and a unique take on the “hard work versus talent” theme: for once, it’s the lead character who is the talented one and the main rival who achieved her successes by working very hard. This series has 51 episodes, and they make optimal use of this long length to fully develop the bond that develops between the two of them.

But also the rest of the cast is great to watch. With perhaps the exception of some of the very minor side characters who are jealous of Maya’s successes in the beginning perhaps, every character has a clear purpose, and evolves along with this series. My only complaint here is Tsukikage, and especially her heart problems, which feels like a simple plot device. This is up to the point where you find yourself able to predict exactly when her next heart attack (or whatever it was that attacked her) is going to happen.

For a 2005-series, the animation of this series isn’t anything special, though I do want to applaud the creators for going with down-to-earth character designs, rather than the overblown shoujo-ones of the 1984 series. Especially Ayumi’s character-designs changed from the look of a stuck up princess to someone with simply good looks, nothing more and nothing less. And while most of the animation of this series isn’t that much to write about, the show does have a number of very artistic and good-looking shots of the different characters. The soundtrack for this series is also awesome, but this is where I’m really biased, since the composer also created the soundtrack of Mahou Shoujotai. ^^;

Overall, I’m glad that I listened to Hashihime and the other fans of this series, because the 2005-version really makes up everything where the 1984 version went wrong. After watching this series, I’m definitely going to look at acting in a different way, and that’s something that should be the case with every anime that’s about such a focused subject as this one.

Short Synopsis: The Southern Government launches its attack on the village where the Xam’ds are gathering.
Overall Enjoyment Value: 8,5/10 (It’s finally beginning!)
Woo! It’s finally time for this series’ finale to start, and amazingly, every single plot and character is starting to come together again. The only one we’re still missing here is Furuichi, and I wonder whether the guy is going to show up in the end, or whether the creators really killed him off. Still, this series is definitely something else, when it’s been so well planned.

So, the Zanbani is finally airborne again, Nakiami and Yango finally arrived at the battlefield, the Hiruken emperor finally awakened due to a screw up from Benikawa, and Midori also was released on the battlefield at the end of the episode. All that’s left to wonder is what Akiyuki and Haru are going to do there. Something really tells me that the creators have saved their biggest parts for the end of the series, and smartly kept them away from most of the action, in order to prevent them from becoming clichéd lead characters, which always have to be at the centre of everything. And I must say, that it works really well. What I love of the two of them is that they complement each other’s weaknesses: Haru has received military training, so she’s more capable of handling the flying bikes and all, while Akiyuki is more mature and mentally stable, so he can give her support on that area.

But the big event of this episode was of course Raigyo’s death, and again I really liked the subtlety of that scene. It was just of the right length, and while emotionally powerful it didn’t go through huge lengths to squeeze some extra tears out of it, or making Raigyo into one of these characters who takes forever to die. That scene was of just the right length, and on top of that it also showed a bit of Benikawa’s background.

With three episodes left, the finale is one that promises to go all out. I really wonder how that one’s going to work out, when everything that this series has built up is finally coming together.