Short Synopsis: Setsuna and Saji rush in to stop Memento Mori II (oh, and this post has semi-spoilers for the endings of Gundam Wing and Zeta Gundam, for those who haven’t seen them yet)
Episode Rating: 8/10 (Excellent)
Oh boy, this episode pretty much ranks among the best that Gundam 00 has shown so far. Even if the final parts become horrible (see below), this was a worthy mid-climax. Not only did the orbital elevator indeed fall, the results of it were what made it awesome. It’s already established that pretty much most of the parties apart from the Innovators and the A-Laws top executives aren’t pure evil, so in the end it was great to see everyone preventing the huge amount of rubble that fell from destroying an entire city. It was well built up, with some great results.

It’s a shame that 00 Raiser yet again pulled a power from out of thin air (the incredibly long light saber; this really has to stop somewhere, right?), but ah well. It’s also a shame that Sergei and Hercule died so sudden, but their deaths were memorable. It’s also good to see that Saji for once didn’t whine.

This is also the first time this series has truly impressed me with its eye candy. For the most part, I don’t really care about the graphics of this series, since they’re nowhere near as interesting many different sorts of anime, but I do have to say that those long-distance shots of the orbital elevator in this episode looked really sweet.

Having said that, though, having watched Zeta Gundam recently has made me a bit wary of its confusion. Especially since this series uses lots of references to past Gundam series. The last thing I’d want in this series is a killing frenzy which sends half the cast into emo-mode for the final bunch of episodes. I’d much rather have the final part of this series refer to the finale of Gundam wing, with the huge-ass battleship. Gundam Wing may have done a lot of things wrong, but the finale was pretty good, and at least none of the characters became emo in its final parts. At this point, we’ve seen foreshadowing for both possibilities: on one hand the damage that the elevator caused in this episode is only a fraction of what would happen if a full-sized huge battleship would crash down on earth, while on the other hand Sergei’s death has set Marie in a huge rage for revenge, and remember that Saji and Louise have yet to settle their differences.

Short Synopsis: Yayoi approaches Touya, with the message to leave Yuki alone.
Episode Rating: 8/10 (Excellent)
Haha! Nice: the creators are actually preventing Hirano Aya from singing in this series, even though she plays the role of an idol. I must say that I wholeheartedly agree on them in that decision, because it would completely have ruined Yuki’s character. Even one of Hirano’s best roles, Chiko from Nijuu Mensou no Musume, raised quite a few eyebrows when she started singing. It has to be a conscious decision from the creators of this series, because Hirano usually takes over the singing in nearly every show she stars in. Now I also see why she’s been absent from the OP and ED so far. ^^;

In any case, this episode adds a whole new dimension to this story, by focusing on Yayoi and Misaki, and it does so in such a way for it to actually make sense, rather than insert an obligatory filler to satisfy the fans of said characters from the game. It was quite a surprise for me when ayoi started hitting on Touya, in order to take his attention away from Yuki, even though it had it coming with this series’ set-up.

I must say that this series has overall proven to be a very interesting variation to Makoto Shinkai’s “being away from the one you love”-theme. While Shinkai’s leads generally remain faithful despite the distance, the thing is the entire opposite for Touya. Not only is there a large distance between him and Yuki, but he’s also being pressured from all sorts of sides to break up with her. His feelings already were a time bomb about to go off, but now that also Misaki is starting to depend on him, it’s become even worse. I do like, however, how Misaki has her own life, and the creators came up quite a decent excuse for her to rely on Touya for emotional support. I’m really liking this series more with every episode, and yes, this is coming from someone who once hated all harems with passion.

Short Synopsis: An elderly woman calls Jigoku Tsuushin.
Episode Rating: 8,5/10 (Awesome)
Haha! It’s the bizarre episodes like this one that really make Jigoku Shoujo worth watching. This episode tells about the backstory of Yamawarou, the new kid in the third season, and it’s a really imaginative one. He once was a fungus spirit (or whatever that’s known as in Japan), watching over a family as they lost their son. Eventually when the father and mother grew older, he appeared in front of them as the son that they lost.

The husband and wife both reacted very differently. The wife saw Yamawarou as the reincarnation of her son. The husband instead, was a scientist and never saw Yamawarou as a human being, and instead performed his experiments on the guy, in order to find a cure for his wife who was about to die. When the wife found out, she sent Yamawarou away in order to prevent him from being taken advantage of. He then ended up by Jigoku Shoujo. A while later, the wife couldn’t take it anymore and wanted also revenge on her husband and so she calls Jigoku Tsuushin. Yet again wonderfully off-balanced on the moral scale.

It’s also great to see finally what’s up with Yamawarou. There was no hidden purpose to the guy, and instead he simply was the fourth doll that Ai collected. He just happened to arrive when he lost his body. The big mystery now of course is Kikuri, and she definitely showed a different side of herself in this episode. But then again, with this show you never know which questions it’s going to answer, and which ones it’s going to reserve for a potential fourth season. ^^;

I do wish for Yuzuki to become a bit more involved than she has now. Especially since this episode so forcefully wrote her away, I really want to see her become more involved with the different victims in her own way, and see the reality of the Jigoku Tsuushin. This is why I consider the first season of this series to still be the best of the three: in the second half, the revenges weren’t simply random, but so chosen in order to get some great character-development out of Hajime and Tsugumi. In the second season, the stories at this point were merely arranged to show some background on Ai’s dolls. While that’s important as well, it’s less awesome than seeing people’s beliefs challenged like the first season did. I’m really hoping for this third season to show sort-of a combination between the two, but for that to happen Yuzuki really needs to get some more confidence.