Short Synopsis: A trainwreck. Literally!
Episode Rating: 9/10 (fantastic)
Haha! So what if the animation style was completely different from the rest of the series?! This most likely was one of the best episodes of Michiko e Hatchin yet! It’s really awesome that everything is now coming together more than ever. I really have to say that Manglobe did a fantastic job on this episode, and I can only hope that the rest of the series’ finale is going to be as awesome as this!

And MAN! Satoshi seriously is the best villain I’ve seen in a long, long while, and that considering how relatively little airtime he has gotten in the series! Every time he appears, you just know that he’s going to do something evil, and yet he stands so far above 99% of all those “Muaha I’m going to destroy the world because I’m evil!!1!”-villains. This episode makes it even better when it unites the two best characters of this series: Hatchin and Satoshi, with awesome results.

And in the meantime Atsuko pays a visit to Michiko. Ah, so what if it’s forced and directed, it was damn awesome as well: we finally get some real insight into Atsuko’s character. Even when Michiko served in jail, she just kept running after her like a shadow, but in the end she values her as a friend and really intends to help her escape, although this would mean that she’d have to abandon Hiroshi and Hatchin for it. And yet again, Michiko ignores her requests. It turns out that what she wants more than anything else isn’t revenge on Michiko, but instead acknowledgement. She wants Michiko to see her as an equal, and she just keeps failing at it.

And yeah, the animation was screwed up, but nevertheless it looked GREAT. There was lots of movement and interesting camera-angles, perhaps at the expense of a Hatchin that looked less cute than usual. At times like these, I’m grateful for this series’ really weird broadcasting policy: I can hardly wait for that next episode!

Short Synopsis: Casshern is still alive but heavily damaged and Leda attempts to receive eternal beauty from Luna.
Episode Rating: 8/10 (Excellent)
Whoa… the voice actors were really having the time of their lives in this episode. Seriously, there was a lot of screaming and moaning in this episode, but those scenes hit me really hard. In any case, it seems that my worries in the previous episode were just completely out of place: although I would love to run into a series some day in which the main protagonist dies before the final episode of the series, Casshern indeed still needs to do some things in this series. The huge beating up he received in the previous episode was meant for his character-development: he’s no longer a senseless killer, and also for some reason, his body’s regenerative abilities have declined a lot, although they’re still there.

And I’m really glad to see how Leda and Dio turned out. I remember noting about eight episodes ago how the two of them were my least favourite characters of this series, but now that they too have received their development, they too have really become part of the amazing cast of this series. This episode really was about the two of them, and worked really well. As Casshern demonstrated: Luna’s blood isn’t perfect. It’s not like you drink it and become immortal with the push of a button. In this episode, Leda only drinks a bit of her blood, though that doesn’t turn out to be enough for 100% regenerative abilities. Remember how Casshern needed to impale her chest in order to drink enough blood and the past two episodes showed that that still wasn’t enough to be purely immortal. I also think that the “immortal”-part of Casshern was just a rumour: Luna’s blood regenerates, but it doesn’t toy with life.

And it also turns out that not every robot is able to take the huge amounts of blood from Luna either. This episode shows that Leda just couldn’t take even a fraction of the blood that Casshern must have drunk from Luna. She doesn’t look dead, but that does explain why Casshern lost his memory: he too received the repercussions of drinking too much of her blood. It’s a bit hard to imagine how this would chain-react into the ruins, though. And I also think that Luna never gave her blood to Dune because he probably already had drunk too much of it, and giving him even more would only ruin him. Luna indeed isn’t a villain, but just someone who is incredibly tormented by her own powers.

But what does that mean for all of the robots who have been saved by Luna before? Did they simply drink a little bit of her blood, that would allow them to heal their wounds, but didn’t do much else? In that case, then it must mean that the robots who were hurting themselves like crazy were just ecstatic: they were too happy that their wounds recovered that they didn’t notice that new ones popped up.

Unfortunately, it really does turn out that this show has only 24 episodes, that means two episodes left. I’m really curious to see whether this series can pull off a great finale. It really has the potential for that, but series as Ghost Hound have shown that lots of build-up doesn’t necessarily mean a perfectly planned ending. At the very least, I want to see a satisfying explanation of where the ruin came from, and why it appeared when Casshern killed Luna. That coloured rock has probably something to do with it. Speaking of which, where the heck has Ouji hidden it?

Mamoru Oshii has become famous for his typical style of very convoluted dialogue. For the Sky Crawlers though, he went into a completely different direction from all of his other works. There are no endless dialogues here, the storyline isn’t really that complex, the action scenes don’t last forever: they’re short and to the point, the character-designs are very simple and down to earth and the pacing throughout the entire movie is very quiet. And yet it works like hell.

Basically, the Sky Crawlers tells the story of a bunch of people who are stationed at a small airbase somewhere in Europe in the middle of some war. The movie’s biggest focus is on its storytelling, because my god, the realism! Amidst the dogfights, there is a huge amount of attention to detail spent on how the characters interact with each other. The characters here really feel much more like regular people than in most other anime. Most of the drama in the movie is kept very subtle and meaningful. And that really is the biggest strength of this movie: it’s two hours long, with a story that could also be done in 20 minutes, but because of the incredibly slow pacing it really was able to show off its characters, their strengths and weaknesses in a very quiet and subtle way.

So yeah, obviously you don’t want to watch The Sky Crawlers if you’re looking for an energetic action-flick, although the action scenes that take place whenever the characters fly their planes definitely look beautiful. The CG is really well done, and integrates really well with the 2D art so that it hardly ever feels out of place.

If I had to mention down-sides of the movie, then there are two things that spring to my mind: first of all, there hardly is any background on the characters. Only the lead characters have some (very good, by the way), but the rest of the characters are all just a bunch of random pilots who happen to be in the same airbase. This of course can also be seen as a good thing: you get to know exactly as much about them if you were to meet them in real life. Of course they have their secrets, but they sure as hell aren’t going to blurt them out to any Tom, Dick or Harry.

The other flaw is most of a personal disappointment of me: there really isn’t that much innovation in this movie. It’s probably something really new for Mamoru himself, but I’ve seen the subtle storytelling done before and better. It’s of course really good for this movie to chose this approach, but I felt I saw nearly every aspect in this movie in another anime already before. Kenji Kawai’s soundtrack also pretty much sounded like all of his other soundtracks, and it didn’t really stand out as anything fresh or new from him.

Still, that definitely doesn’t take away that this is a very solid movie. It’s not Mamoru’s best work, but nevertheless consistently good and enjoyable if you like your drama to be subtle.