Whoa.

I must say, I totally didn’t see this coming. This was without a doubt the best episode of Shangri-La yet. The thing with Gonzo is that they’ve got so much flaws, that I at times forget that these guys make damn good anime. No other animation studio has surprised me more times than they did. Blassreiter looked like a simple action-show, but what terrific action it became. Gad Guard from the outside looked like yet another boy meets robot show, and yet it developed into a very likable series. The same goes for the likes as Solty Rei, Welcome to the NHK, Seto no Hanayome, they’re all shows that turned out to be excellent even though you wouldn’t suspect it at first glance.

After the previous episodes’ disaster in the animation department, I was seriously surprised to see the animation quality this much improved. The inconsistencies are totally gone. Characters aren’t conveniently placed in the background to save money on drawing close-ups, and especially the virtual reality animation rocked beyond belief. Now, if only the rest of this series can keep this same quality.

But also in the storyline department this show got some new dimensions. Like above, the virtual reality turns out to play a much more important role than suspected, as even some of the guys at Akihabara make use of the same technology that our little genius uses to manipulate companies. At the same time, the military has also been working on an invisibility device, and Kuniko makes use of one of the naive guys of the military and finally gets a bit of an idea of what’s going on inside Atlas. I personally loved that scene between them, because you could really tell that the two of them were living in totally different worlds and tried to justify their own actions.

Oh, and I had to laugh at the subtle otaku-jokes. Usually in anime these sorts of jokes are dumbed down a bit too much, but I loved how Kuniko’s grandmother used to be a popular idol when she was young. I definitely understand why she’s trying to hide that. ^^;

In any case, overall this episode made this series even more intriguing than it already was. I really had some doubts whether this series would turn out okay or not in the end, but this episode surely removed a lot of them.

Rating: ** (Excellent)

I’m noticing a worrying decrease in animation quality with every progressive episode of this series, which seriously isn’t a good sign. I really hope hat Satelight are saving their budget for the later episodes, because amidst the beautiful shots the bad shots really stick out like a sore thumb. The graphics of this show unfortunately are of the kind that need a big budget, because otherwise they’re just going to look bad.

In any case, this episode didn’t have me as much impressed as I hoped to. The novelty of this series has worn off just about now and this episode lacked a bit of atmosphere. Guin, Remus and Linda get captured by the Mongol army, only to get rescued again by Istvan. It’s mostly just used as a building up episode, and not really that of an exciting one, although we do learn some new stuff.

As it turns out, these lands are very unfamiliar to the Mongol forces and they too have a lot of trouble trying to fend off all the huge fishes and giant sandworms, which seems to suggest that they don’t have these giant beasts in their home country (otherwise they’d know how to deal with them more efficiently by now). Another small clue was given about Guin and Istvan’s pasts: somehow the name of Landock is important to Guin, which Istvan once saw written on a very fast ship ten years ago when he was being a pirate.

Rating: (Enjoyable)

Finally! This is the point I’ve been waiting for, and finally it’s time for me to praise this show a bit. It’s good to see that this time, the annoying part only took up four episodes, rather than FOURTEEN, and not only that but this episode was also significantly better than its original counterpart.

Even though episode 3 didn’t introduce Envy, this episode was sufficient enough for an introduction of the guy. Scar’s appearance also made much more sense this time: he didn’t try to attack an entire army of state alchemists this time, but instead just went after Ed, and made the mistake of thinking that Ed would be easily taken out just like his other victims. The only reason why his face was shown this time was because he didn’t take into account that Ed and Al had metal body-parts, which allowed them to buy enough time for the military to show up (who were also in the neighbourhood).

And in this way, Scar was a much better way of showing Ed how cruel some people can be, compared to that strange butcher who just “happened” to kidnap Winry of all people. Overall, this episode really reminded me why this show has potential. It again was rushed, but things fell much more in their place, aside from the history of Ishbal perhaps, which was a bit too fast. It was nice to see a map of the world though. It gives a much better view of what goes on where. For example, I never knew that Ishbal and Resembool were that close together. And yet in a way this does make sense, as it makes the holiday of Winry’s parents much more plausible.

But what surprised me the most of this episode were the couple of experimental scenes. Especially for BONES, this is really rare: they’re really a studio that focuses on the solidness of their productions (which is quite ironic if you think about how a lot of series of them end up rushed in the end), and I can’t recall any of their series to be experimental, and especially not in the animation and storytelling department. That’s why I loved the sudden appearance of Scar: Ed was in the middle of something completely different, and you really don’t expect the guy to show up at such a moment. The few animations in the beginning also looked really nice.

And as for the bits of comedy amidst the fighting: I like them. The thing is, that the original series was just too emo at times. And with such a series, it’s hard to avoid. That’s why it’s good to see these moments brightening up the mood at times.

The biggest potential pitfall I see for this series is the typical weakness of a Bones’ series: its inability to properly fit its series into the proper time-frame. Out of all of their series I’ve seen (which are quite a few by now), the only show of them whose story fit exactly into its number of episodes was Angelic Layer. Aside from that one, all of the other Bones shows I’ve watched have either rushed endings or in Eureka7’s case 13 consecutive episodes in which nothing really happens, and I really hope that this show is going to be able to avoid it.

Rating: ** (Excellent)

The thing that really sets Adachi’s stories apart from all other high school anime is the huge amount of time that he devotes to the history of the lead characters in the beginning, when the characters are still just in middle school and the first few episodes simply set all of the stages for the rest of the series. This is obviously such a good way to flesh out the characters in the beginning. Out of all the shows that started airing this season, I feel like I got to know the cast of Cross Game the best within the time-span of only five episodes. Even the characters of Eden of the East are nowhere as likable as these guys.

This episode was even more slice of life than usual for this series, but what a wonderful episode it was. Basically, both Aoba’s father and big sister and Kou’s parents were out of town while Momiji wasn’t feeling well. Kou was asked to keep a bit of an eye on Momiji alongside Aoba. So after Kou’s usual secret training sessions, he visits the local supermarket and brings back food for the three of him, Aoba and Momiji.

Since Aoba never really learned how to cook with sisters as Wakaba and Ichijou, Kou offers to cook dinner, even though Aoba is obviously heavily against it. Also here it shows how Wakaba is still on these youngsters’ minds: the moment Aoba goes too far in her insults the whole mood completely changes even though the reason for it is never explicitly mentioned.

What’s more, this episode also was about a cooking book that Wakaba used to use. Aoba originally intended to use it, but she accidentally lets Kou find it. The result is a bowl of rice that tastes exactly the same as Wakaba used to make it, which is especially tough on Aoba.

Then there’s Momiji’s fever in this episode, which is also used in order to show the downsides of Aoba’s tomboyish character: when she starts feeling unwell, it’s mostly Kou who keeps everything in straight lines and makes sure Momiji’s fever goes down fast. Aoba just thinks too much of Aoba, who really was the type of caring sister (especially since she thinks back on how Wakaba used to take care of her when she herself was ill). It’s the same trick that Touch used, though slightly different: Kazuya was simply better than Tatsuya in every aspect, while Aoba still had sports in which she could stand above her sister.

And on a side-note: I really like Momiji’s character, and how well she and Kou get along with each other. Momiji feels really genuine as a character, and there’s something wonderfully innocent about how she and Kou interact. Of course, the chemistry between a lot of different characters in this series is really good, but the two of them really take the cake in my opinion.

Rating: ** (Excellent)

This series is strange. On one hand it’s about two warring countries, but on the other hand it has pigs with wings. Seriously, as much as I appreciate that Alicia is very alert for possible spies, this needs to end somewhere. While seeing Welkim as some spy was at least a bit believable… but that pig? I mean, come on.

But still, I’m starting to see where the creators are trying to go with this series. They’re really trying to go with the contrast between the light and innocent Alicia when she’s not fighting and the ambitious woman that she turns into when the fighting actually starts. As innocent as she may look, as annoying as she may be at times with all her complaining against Welkim and Faldio, she did go through military training and it shows that she knows how to handle herself in a combat situation. She just lacks experience. And that’s why the character-development in this series is going to be so important.

Because this particular formula of having young girls fight in war has been abused plenty of times throughout anime. Just think of the countless shounen series that have teenagers fighting against hordes of formidable and trained bad guys. For this series, it’s all going to depend on the execution if the creators want to avoid this pitfall, and I must say that the start so far has been pretty solid. The realism definitely helps: when Alicia got shot in this episode, I definitely cared about her and I’m really suspecting that this is going to be a series in which people die when they’re killed.

Alicia is definitely a character that you need to warm up to. I hope that that happens fast, though. This episode was pretty good, but some of her banter with Faldio was just annoying.

Now, let me hijack the rest of this post for something completely different: I was quite surprised to see that many people who found the episode ratings helpful. I decided to remove them mainly because it was getting really tedious to write a short episode synopsis every time, so that one isn’t going to come back.

This is also a good opportunity to change the episode rating system a bit. The numbers out of ten were nice and all, but they had a few bad points: they were in the same format that I used for the monthly summaries, and yet meant something completely different, and I just kept rating about 90% of all episodes as 7,5/10 or 8/10. What I also didn’t like was how they were always at the top of every post, possibly taking away some attention from the more important parts, which is why I think that from now on, the ratings are going to move to the bottom of the post.

I think I’m also going to swap the x/10-format with simple stars (or some other symbol). Though instead of simply mapping the out of ten-ratings to five stars like 6/10 = 3 stars, 8/10 = 4 stars, et cetera, I’m going for something a bit different. Compare it to the star-rating for hotels and restaurants: an episode has to earn its stars. So, the rating scale would be something like this:
(no stars) - probably going to be denoted by a simple ‘-’. Basically an episode that left me unimpressed.
* (one star) - The equivalent of my current 7,5/10 rating: a pretty good episode
** (two stars) - The equivalent of my current 8/10 rating: excellent episode
*** (three stars) - The equivalent of my current 8,5/10 rating: an awesome episode.
**** - (four stars) - The equivalent of my current 9/10 rating: a fantastic episode which really shows the episode at its utter best
***** - (five stars) - The equivalent of my current 9,5/10 rating: an incredible episode, the best of the best, and probably an episode that only appears once or twice a year or so.
In theory, there also can be six stars, but in all the three and a half years I’ve been blogging I only encountered one episode that deserved such a rating (Simounr 16, to be exact).

In any case, for this episode, the rating would be something like this:

Episode Rating: *