June 28, 2009

Full Metal Alchemist - Brotherhood - 13


Wait, what? Was it just me, or did we see the evil officer from the mining arc right next to Scar in this episode? I mean, I’m trying to watch both series as different stories, but it’s really making this difficult when this show references events that only happened in the original series…

Thankfully, that was just about the only thing I didn’t like of this episode. I’m glad to see that Greed finally got his introduction, because his story is one that I really liked in the original series. He already starts off as a quirkish character, and so far I feel that Brotherhood did him justice. I was also surprised that his henchmen still are a bunch of Chimera. That means that someone other than Shou Tucker has been creating them.

There were also lots of differences this episode when compared to the original series. My memory is a bit too fuzzy to list all of the differences exactly, but it seems that Izumi is going to play a much bigger role here. It also seems to be the goal of Greed and his henchmen to become like Al: away from all those nasty side-effects that the human body has. Ed also threw a major tantrum when he finds this out, and this part turns out to be quite a bit deeper than what happened in the original series, which was just about the homunculi wanting to become human. Here, Greed and the others are longing for something they hardly know anything of, and something that Ed is desperate to get rid of. This time, it’s Greed who feels uncomfortable with the way he is, rather than Lust.

I also love how the comedy in this series just appears from out of nowhere, especially this episode did this really well. The creators really have managed to integrate it seamlessly with the rest of the series, rather than having clear-cut parts that are funny and other parts that are serious.
Rating: * (Good)
Solid episode; Greed was especially nice.

Higurashi no Naku Koro ni - 54


Pure awesomeness. I really have to say, that this OVA couldn’t have been done better. These past three episodes were right up there with the most memorable moments from the Higurashi series. I’d definitely rank this among the best OVAs I have ever seen, along with Rurouni Kenshin Tsuioku-hen and Hunter X Hunter’s OVA. All of them were just incredible: intelligent, inspired and focused.

Most of this episode was just lots of dialogue, but that’s exactly what I liked about it. Rika, who was tortured with the choice whether or not to kill her mother, and abandon the world in which nobody was plagued by sin. This exactly showed the irony of good endings: sure, you may have everything happening perfectly; you may have nobody suffering from the past, and deeply haunted by some of the wrong decisions they made, and that were made for them. But does that make them better persons?

It may all have just been a dream by Hanyuu, but who cares? Thinking back it made sense: how else would Hanyuu have known about the fate of everyone who wasn’t there? The way Rika let herself go and get caught up in the accident really showed her how she has unconsciously taken her own death and rebirth for granted, and how she began to forget how important her mother was.

If I had to mention a down-side, then it was the continuity error of Keiichi’s sin. In the original series, Keiichi’s sin was left out, and I had to read about it in the Higurashi TIPS, about how he ran around with the plastic gun. Those who haven’t read the TIPS will probably feel left out a bit, because that event was crucial to why this episode was so incredibly powerful. It’s still a shame that we never got to see that scene animated, by the way. It would have been damn intense.

In any case, Umineko no Naku Koro ni is about to begin now, and even though I’ve heard that it’s going to be completely different from Higurashi, I’m really looking forward to it, because 07th Expansion has shown himself to be an incredible writer. My only concern is going to be Chiaki Kon; I’m not sure whether she is the right person for this series. Especially considering how she’s also currently working on Hanasakeru Seishounen, and considering the mess that that turned into. On the other hand, Toshifumi Kawase is returning for the series composition. I absolutely love what this guy has been doing for the past few years (he was the one who directed the Higurashi Rei OVA), so perhaps he was the biggest reason why Higurashi was the only thing that didn’t disappoint out of Chiaki Kon’s work.

Rating: *** (Awesome)
Amazing conclusion to an already amazing OVA.

Cross Game - 13



So, this episode is the classic “gasshuku”-episode, that every sports series seems to have, but the creators really made excellent use of it. This episode was everything that makes this series so enjoyable to watch: subtle characterization, plenty of character-development, very witty and well-built up jokes…

Speaking of which, the humour was… interesting… This episode has to feature the most disturbing gender-ambiguous character I have seen in that old guy. He’s definitely an eccentric, first fooling Kou about Aoba (who was just taking shelter from the rain at his place), then filming the entire process of Kou, frantically looking for Aoba after finding the shoe that she lost, and never even revealing that he dresses like an old lady…

Meanwhile, it’s interesting how Azuma and the other guy aren’t happy with the work that their coach is putting off. The other coach, in the meantime, shows a completely different side of his during the gasshuku, and reveals him to be the evil trainer from hell, training his team to the limits. It’s also interesting how the previous match has given the team some real motivation to start training and get better. After nearly beating Azuma with a pretty much imperfect team, they really seem to be motivated to get better on their own.
Rating: ** (Excellent)
Excellent summer training camp episode with a number of great jokes. And a rather disturbing one.