June 29, 2009

Guin Saga - 13


This arc has really been getting more and more interesting, even though this episode pretty much lacked any sort of battles. This is where the adventure part of this series jumps in, and I do have to say that it may be the part where Guin Saga is best at. In any case with episodes like this you’re not going to get bothered by badly animated fights.

So this episode basically followed the two story-lines around Amnelis and Ardnaris’ wedding, and Guin and his party trying to get back to Parro (at least, that’s what I managed to pick up), and both delivered. This episode marks the point in which Naris finally seduced Amnelis, and whatever his plans are, something tells me that they won’t be pretty for Amnelis.

Remus’ development also it becoming really interesting. From the outside he seems to be turning into your average whiny brat, but having his balls drop and getting into puberty has had some interesting side-effects: suddenly, it is Linda who is the weakest of the two. Suddenly, Linda who seemed so mature in the Nosferas arc has turned into the whiny brat who doesn’t take good notice of her surroundings, and Remus has turned into the mature one; despite his brattiness, he does know when to shut up, and the only one he treated with disrespect was Linda. That is SO typical of siblings when they’re in puberty.

Flawed characters like Remus are either incredibly bad or incredibly good, since they’re so annoying when they’re first introduced, but when they’re developed correctly they can prove to be a very interesting addition to their story. I’m not saying that Guin Saga is definitely going to be one of those series that gets it right, but there’s a reasonable chance that it will.
Rating: ** (Excellent)
The characters are really developing strongly. This show is going to be epic if the creators can keep this up.

Shangri-La - 13



Oh my god. I’m not sure who exactly was responsible for the dogfights in this episode, but I have to say, that these were the most visually pleasing scenes that I have seen this season. Yes, that includes Guin Saga and Eden of the East; it was THAT good. With this episode, Gonzo has really shown why they are the masters of CG. It may not be the best blend with the rest of the art, but damn. These guys are getting closer and closer to perfection in making CG action scenes engaging. I don’t care what the popular opinion on them is, it’s going to be SUCH a shame if these guys are going to close down due to poor sales. Their bad series are indeed really bad, but their hits really are one of a kind, and for me, Shangri-La has been their best series ever since Bokura no ended. Say what you want about both Gonzo and this series. I’m too busy drooling over the incredible visuals in this episode.

The rest of this episode was also really good to close off the first half of this series. This episode was intense, in which Kuniko for the first time has to really display her leadership, and even though she still has a lot to learn, at the same time you can see that she’s trying her hardest guiding the Metal-Age, instead of sitting back and letting the others do the dirty work.

And while most of this episode was about the Metal-Age trying to bust into Atlas, there also was something interesting going on around Ryouko, as some sort of upper chief has decided to pay a visit. His influence on Ryouko is going to be pretty interesting. There was also a pretty touching moment about Miiko and Mikuni, where you can see that the two have gotten even closer since Sayaka left.

I’m wondering when Kunihito is going to play a role in the story again. He obviously is important, he has a dagger, he is a digma, but so far the only thing he’s done is screw up when Kuniko was around. He definitely was a character meant for the second half of this series, but I’m really wondering what kind of role he’s going to play in the whole series. I’m definitely pumped for that second half. With such an ambitious setting, if this series manages to avoid any major screw-ups, it’s going to be epic.
Rating: *** (Awesome)
Incredible CG visuals, very exciting dogfights

Konnichiwa Anne - 13



Seriously, can this show get any more adorable? This episode was so incredibly charming, even though it was about a bunch of characters that have yet to be introduced beforehand. The children in this episode were portrayed really life-like. Well, I guess that that’s the World Masterpiece Theatre for you. ^^;

Anyway, this episode starts with a regular day at school, in which Mildred is showing off a brooch with angels that she got from her birthday. Anne stays away from them, but she of course is interested in the angel-story, but when Randolf notices her looking she looks away again. Mildred wonders if Anne is interested in the brooch as well, but Anne answers that while angels tend to grant wishes, they’ll never grant wishes to liars (a nudge to what happened in the previous episode).

During class, Anne actually did better than Mildred (for her grade, anyway), which rather pisses Mildred off. A girl then arrives at the classroom, whose name is Sadi. Her house seems to be poor, and she too apparently has had to stay home to take care of it. Because of this, Anne becomes interested, and sits down next to her during the afternoon break, and starts telling about Elisa and Katie Morris.

Sadi then reveals that she has a number of younger siblings, and the reason why she has been away is because her mother is sick: her father is dead (you have to love how Anne rejoices when she finds this out, having discovered someone who is similar to herself, even though it’s about such a touchy subject), and since her mother has been taking care of the family and making the money, her becoming sick has put them into a bit of trouble.

Anne, still fascinated by the angels, asks her what she wishes for if angels were able to grant wishes. She herself wishes for new ribbons in her hair, since she’s gotten bored of her old ones. Sadi of course answers that she wishes that her mother would get better soon. Meanwhile Mildred is setting everyone up against Anne, and they come up with a plan to frame Anne: Randolf was supposed to put Mildred’s brooch inside Anne’s bag, so that they could blame her for taking it. Obviously the plan goes wrong because Randolf mistakes Anne’s bag for that of Sadi.

At the end of the classes, Anne notices how the brooch is in Sadi’s bag, but at first she’s too afraid to say something. That’s why she follows Sadi to her house. Sadi then comes out of the house and notices Anne, and then tells her about the brooch. It turns out that Sadi never knew of anything, and Anne informs her that it’s Mildred’s.

A while later, they start talking about the brooch with the angels on it along with Sadi’s younger sister and brother, and when the two of them find out that angels are supposed to grant wishes, they wish for their mother not to go to heaven. Apparently, their mother’s condition is much worse than previously thought, because one of the kids overheard her mother say that she’d join her husband soon, that evening earlier.

They then drop by their mother, along with Anne, who gets all shy when the mother gives her a compliment on her looks. When she is about to get up to do the chores, Anne and the other children instead insist on doing the chores themselves, so that she can rest. Afterwards, Sadi gets more and more worried about her mother’s condition, and how she can’t believe that her mother is hiding a serious illness from them. Since they don’t have any income, they also don’t have any money to call a doctor. The children suggest soup with milk, which is supposed to help (hey, they’re 3 years old…), but even for that they don’t have any money. Anne suggests collecting a type of flower, which is supposed to help according to Eggman. In the meantime, Sadi’s mother suddenly gets out of bed and starts doing the chores like there’s nothing wrong.

After a very touching moment in which the children seem to give up all hope because they can’t find that particular flower, they return home… and find out that it’s all been one big misunderstanding. All their mother had was a simple cold. When they overheard her talking that evening, she simply was talking about how she remodelled some of her late husband’s clothes to fit their children, so that it’d be like they’re always with him.

Anne stays until it’s nearly dark, after which they say goodbye but not before giving Anne a new set of pink ribbons,

This really was a mean episode. It was so sad, with especially superb voice-acting from Sadi’s little brother and sister, who really sounded like a bunch of sad children, only for everything to be a simple misunderstanding that was blown out of proportions by these simple kids’ minds. Stories around misunderstandings are often a bit lame, but this time it was the complete opposite, and this episode became so incredibly adorable because of it.

There’s one thing that doesn’t quite sit well with me, though, and it has to do with the continuity with the original Anne of Green Gables. I mean, how often has Anne been praised for her looks by now? It becomes harder and harder to imagine how this would have caused her to start yelling at Gilbert Blythe like that when he first pranked her. But then again, around that age she indeed should have started to get into puberty, so I think that that was the major cause of it.
Rating: ** (Excellent)
A light but downright adorable episode.

Natsu no Arashi Review - 82,5/100



After all of the shows that he’s been directing and will be directing in 2009, it’s safe to say that Akiyuki Shinbo has been the most prolific director of the past decade: I can’t think of anyone who directed as much series as he did, especially in the past five years. Natsu no Arashi started out as one of the many dark horses of the past Spring Season. At first sight it looked to be full of your usual shounen clichés and all, but it turned into a very interesting and engaging series.

At first sight it’s easy to label Natsu no Arashi as one of those moe comedies around high-school girls, but that’s only half of the series. The other half is a surprisingly serious and deep storyline about time travel, World War II and people who are deeply affected by the past. For once in one of Shinbo’s series, the characters have strong personalities and yet are more than a bunch of paper bags. Hajime may seem like a bit of an oddball here, but his purpose in the series really is to act as the straight man, compared to the issues and stories that the rest of the cast has, and he pulls this off really well as the main character.

On top of that, this series also has a very inspired sense of humour. As this is a series about time-travel, it really makes the most of it by including jokes that can only be shown in this kind of series. This leads to priceless discussions about a rotten fish, among others. It also likes to poke fun at one of its on-going plot threads, in which one of the characters (Jun) is a cross-dresser. A number of absolutely hilarious episodes are centred around all sorts of crazy situations in which she has to try and keep her secret and pretend to be a guy.

Overall, this series is really well balanced, with the serious and silly episodes alternating so that the end result is a very varied series that grabs the best of both. The only downsides are the first and last episode. The first episode really gives a wrong image of what the series is going to be about, while the last is mostly a rehash of jokes (something that the other episodes managed to avoid so well), and carries Shaft’s style a bit too far. nevertheless, if you’re looking for a series that has both light and dark parts with engaging characters, then this is a show you should check out.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

Natsu no Arashi - 13



Ah, so there’s going to be a second season this fall. That’s a good thing, because this episode pretty much was the weakest episode of this show so far. Especially the first half was just a rehash of already used jokes with all of the characters somehow dressed in swimwear (including Jun in clothing that would obviously reveal her gender to Hajime, yet nobody noticed), while the second half had some new and funny material, it also seemed to be trying too hard.

However, I am also very wary of the “Curse of the Shaft Sequel”. I KNOW Shinbo, and I’m just certain that he’s going to carry this show’s style way beyonds its limits, making it lose its substance like how Zoku Sayonara Zetsubou Sensei and a tale of melodies were ruined. Especially this episode was a very bad sign, if every episode of he second season is going to end up like that. That’s why I’m not going to guarantee that I’m going to blog season 2 as well. It’s all going to depend on how awesome the rest of the upcoming Fall Season is going to be.

And don’t get me wrong, barring this episode, I really loved Natsu no Arashi. I just feel that it would have been better if everything was wrapped up in just these thirteen episodes. The past two episodes would have been much better if they took the stories from the manga that explained why the ghosts came back, and the part where Jun finally comes out of her shell, and combine those into an anime-original conclusion.

Rating: (Enjoyable)
Enjoyable to watch, but mostly just a rehash of previous jokes with some really un-subtle references to other shows.