Igano Kabamaru is a unique anime, in the way that it’s only popular among the Greek community, and virtually unheard of in the rest of the world. I’ve been meaning to want to check it out, but the only version I could find was a crappy Greek dub. Since my Greek is virtually non-existent (the only word I know is “nè”, which means “yes” and sounds a lot like “no” in Dutch), so I unfortunately had to pass it up.

Cue the awesome people at Saiei who were nice enough to bring out a Japanese version of the series. So yeah, this is another one of those raw-reviews, so unless you happen to know Greek or Japanese, don’t bother to ask me where to get it. One of the purposes of this review is to give some more attention to this series, with the hope that it might get subbed one day, because this series has a lot to like. Sure, it also has its share of things not to like, but it’s one of those crazy and wacky comedies that definitely demonstrate that the eighties had a great sense of humour.

So yeah, this series is basically another one of those high-school comedies with a weird cast of characters. It runs around the premise of a kid who has been trained as a ninja for all his life by his evil grandfather, moving into a school whose headmistress has a crush on said grandfather (who now is dead, by the way). The big twist is that this kid (Igano Kabamaru, hence the title) is the most incredible goofball you have ever seen. He runs around the series screaming, yelling, making the silliest jokes, behaving like a little kid, and eating.

The major fun in the series comes not from him, but from the rest of the cast. These people are all some sort of parody of the romantic genre (we have the cute girlfriend, the rival, the pretty boy, the elite ojou-sama, and a lot more). Every character has something amusing about him or her, and they’re also hilarious in their attempts to deal with such a weird and uncontrollable lead character, and be sure to expect lots of nervous breakdowns. Hopeless overacting in most cases is a bad thing, but in this case it makes for a number of hilarious scenes, with my personal favourite being the marathon-episode.

Unfortunately for this series, it also has that nasty thing called a plot. The show gets really dull when the focus falls back to Igano’s traumatic past, and the time he spent with his best friend Hayate. It just keeps dragging on, and nearly completely takes over the series once it hits its second half. Because of that reason, the second half is a lot less fun than the first one, and the comedy that’s there is nowhere near as fun as in the first half.

To the show’s credit though, it does have a kickass finale. It’s worth watching through the second half, if only because of the awesomeness of the final two episodes. I was originally planning to give this series a much more negative review before I watched these two episodes, but they really make up for the rest of the disappointing second half. Episode 24 feels like the creators wanted to stuff as much creativity in 20 minutes as possible, while episode 23 has a brilliant conclusion that nobody will see coming.

So yeah, don’t expect much innovative parts, since there are a lot of clichés in this series, even for a comedy (like how this show proves that the Tsundere was already a staple more than twenty years ago). The serious parts suck, but there are a certain number of comedy episodes that are absolutely hilarious, and are in no way inferior to the comedies of the past ten years. This series is crazy, but in a good way.

You know, wasn’t this summer season supposed to suck? I mean, from the things I caught here and there this seemed to be a rather small and underwhelming season. And yet, I have only seen five new series so far (four if you don’t count the umpth Saint Seiya), of which three of them are already interesting enough to blog, and have a lot of potential to become great series. Is the rest of the season going to be filled with dumb harems and Code Geass clones or something?

In any case, with series airing a week before the rest of the season, it’s always hard for me to decide whether or not to blog them, because I have no idea whether or not there are going to be any better series turning up later. For Umi Monogatari it’s the same, as the majority of the new season has yet to air. Still, this episode definitely showed me that this series has a lot going for it, and I can always drop it if even more better shows pop up.

I’m obviously not blogging this series for the aestetics. While the animation is great, I first want to see it remain great for the next couple of episodes, and the art style itself is rather plain, with your average collection of moe stereotypes (one of the lead characters has yellow hair, one has red hair and one blue hair. Gee, those are the three primary colours, where have I seen that one before?). There’s lots of fanservice and all, but thankfully it’s handled tastefully: you don’t see any close-ups to jiggling boobs or strange crotch shots. That’s enough to keep it from getting annoying.

What caught my interest with this series was its characterization. The spring season already had a lot of series with an excellent cast of characters, and Umi Monogatari sounds like a nice addition to them. The three main characters feel realistic and very sympathetic. There are a lot of emotions in this series, but none of it feels like cheese, and it’s surprisingly genuine. It’s the charms of the main cast that really makes me want to watch more, and it makes for a pretty relaxing series with still a lot of drama.

The storyline is obviously going to need a bit more work (evil demons have been unsealed and need to be stopped by a certain sea priestess and air priestess), but I like how this series toys with your expectations. Along with unsealing those evil powers, the little mermaid also unsealed a rather strange turtle. That one I didn’t see coming.

Rating: * (Good)
Successfully carries the atmosphere further with some great animation and characters, even though the plot is a bit clichéd.