Mamoru Oshii really is one of the most unique anime directors out there, his sense of dialogue is really unrivalled. Gosenzosama Banbanzai came from the period in which he was still in his experimental phase. As a result, this has been one of the most unique OVAs I’ve seen, there truly is nothing like it, even though it’s already 20 years old by now. It’s a unique take on the genre of series that focuses on long strings of dialogue, and gets the formula right.

The only way to get a really good impression on what this OVA is about is to actually watch it, but to give an attempt to describe this thing: the setting is incredibly simplistic. Every episode takes place for about 90% in one single room, with only a select number of cameras that it feels like a stage. In fact, the creators often use stage-lights to confirm this. On these stages, the anime shows all of the different characters engaging in seemingly endless dialogues and monologues, often about things that at first sight don’t even seem to matter.

In this OVA, Mamoru Oshii brilliantly manages to tell his story through this dialogue, in which he loves taking his arguments to the absurd while making them seem like they make sense by creating a context in which they seemingly do. The dialogues and monologues are brilliant at messing with their own logic and taking the piss out of themselves, and yet at the same time they manage to create a serious story with quite a number of interesting twists.

The visuals in this series also rock. Like I said, they’re simplistic: there are hardly any changes of cameras, but this has enabled the animators to really focus on animating the characters, and the results show. The animation is incredibly smooth and a lot of effort has been put into making the characters move naturally. On top of that, the visual direction also provides plenty of strong shots, creative situations and simple yet effective action-scenes.

It’s really a shame that they don’t make anime like this anymore. There really aren’t many series that can claim to be as unique and yet as well produced as Gosenzosama Banbanzai. With an excellent soundtrack done by Kenji Kawai and a great stab at in-series advertising more than fifteen years before Code Geass came with its Pizza Hut, I really recommend this for those who are looking for something short and different.

I remember how I watched the original First Squad Music Video, and thought to myself “this is awesome, they should make more about this”. Well, someone at Studio 4C must have heard this, because here it is: a full one-hour-length movie about Russia during the second World War. And really, they’ve done it again. First Squad yet again stands out with its absolutely gorgeous graphics and new ideas that the producers could try out in this movie.

Out of all the anime studios out there, Studio 4C see anime the most as an international medium, rather than just something for Japanese audiences. First Squad is probably the first Japanese-Russian co-production, as it shows a bit of WWII from the Russian perspective, combined with a fictional story of the occult, the realm of the dead, and packaging everyting as a semi-documentary with live-action bits of people from all sorts of backgrounds, who tell about their experiences during the war, and their comments on the story of this movie.

And I know that I talked down on live action during the past days, but here’s one who actually gets it right, and I think that this has been the best combination of animation and live-action I’ve seen: the live-action serves to add that bit of extra depth to the setting, while it never gets in the way of the animation. It’s a very neat idea, and really works.

And yeah, I just have to mention the graphics for this movie, which turn it into a visual feast. The character-designs are typical of Studio 4C, and they really make use of the advances in CG of today in order to mesh the two seamlessly. The animation itself isn’t as good as your average movie, but the sheer beauty of all of the different shots definitely makes up for it.

You can see that the story and characters take a bit of a back-seat in favour of the setting and animation, but they’re in no way bad. The story revolves around a typical plot to summon an evil demon to help the Nazis, but it’s well built up, and it slowly unfolds as the movie goes on. Despite its simplicity, the story is well told and will keep your attention. The lead character is a teenaged girl who somehow weilds a katana in Russia, but again: her background is nicely explored, and she serves her function. My only complaint here is that the story ended with a rather pointless cliff-hanger, even though the creators could have easily just ended it.

Another dark and haunting episode for this series. At this point, I’m really doubting how to exactly rate this series in the end: the Marysville arc was very annoying to sit through and contained lots and lots of stereotypes, and yet the Thomas Family was very well developed, and the Hammond-family also is promising to be a very engaging family for Anne to get caught up in. This series is definitely the worst of the new generation of WMTs, but how much worse than Porfy is it?

But yeah, the original Akage no Anne already hinted at it: raising large families is hard, and the Hammond family at this point just shows how hard this is when you have a dysfunctional family. The father seems like he has the financial resources to take care of his kids, but he has heart problems that prevent him from helping his wife when he returns home. His wife right now was in the middle of her pregnancy, so there was nobody who could keep the children in check this episode. It’s a very real problem that I’m sure a lot of families had back in the days in which this series took place.

This episode also introduces a new character, Miss Hagaty, who is the local medical specialist and helps the mother through her birth in this episode (I’ve got to look up their names some day), and she really strikes me as a very strong character with a lot of experience in these matters.
Rating: ** (Excellent)

Sora no Otoshimono

Short Synopsis: Our lead character gets his own god-mode android angel servant.
Well hello… fanservice. Well, at least this shows knows its target audience, but it still puzzles me why they don’t just turn these concepts into hentai-series. Here we have a series in which an android angel servant falls from the sky, and the lead character just happens to be at the right time and place to have her bump into him so that she makes a contract with him and fulfills every of his wishes. The guy is your typical teenager, so you can imagine how he ends up abusing these powers. The series has the typical flaws of a harem-series: lots of clichés (he gets woken up by a cute childhood friend, there’s a huge magical sakura tree near where they live, et cetera), pointless fanservice and a male lead of who you wonder why he’s even popular with girls. I think the biggest flaw of this series is the lead character himself. Sure, there have certainly been worse versions of him, but his attempts at being funny just end up as annoying and his voice-acting is pretty annoying to listen to. I liked the white-haired guy, but overall this is just a waste of a perfectly good budget.
ED: I presume that the animation is going to be filled in the next episode. The song is nothing special, but not particularly bad.
Potential: 10%

Miracle Train

Short Synopsis: Our lead character tries to help troubled ladies along with his team of bishies.
Aha, Iyashi-kei! It’s been a while since we had one of those. This episode really had that typical calming atmosphere of the Iyashi-kei series, but at the same time it also has a lot of issues. Most notably, the bishies. I like the idea of personified subway stations helping passengers through their worries, but did they really have to look like a bunch of ugly bishies with ridiculous hairstyles? Most of the time they’re acting like stereotypes as well, especially that yellow-haired guy was obnoxious. Especially the scenes in which they talk to each other are cringe-worthy. Nevertheless, when push comes to shove it does manage to pull off a nice down-to-earth story for the troubled passengers. If the future episodes can focus more on those passengers and less on the bishies, we could have something very interesting here.
OP: Cheesy J-rock. Move on.
ED: Slightly better, but still generic J-rock
Potential: 50%

Natsu no Arashi! Akinai-Chuu

Short Synopsis: Our lead character is surrounded by lots of cute girls.
Like White Album, I’ve been heavily debating whether or not to blog the second season of Natsu no Arashi. Sure, the first season was very good, but this is Shinbo, after all. No matter how good the source material, I have this feeling that he’s going to take its style to extremes again while forgetting what’s really important. And really, it didn’t help that this episode was probably the worst of the entire series. It was a beach-episode, but the thing is that it just wasn’t funny. The whole episode was just a string of random fanservice-jokes, and lacked the wit or subtlety from the first season. Among the rest of the jokes were also lots of recycled ones (the creators are still going on about Hajime vs Jun, the salmon-thing returned yet again and the creators were even desperate enough to recycle a joke from Sayonara Zetsubou-Sensei and the Samurai-Jokes from Pani Poni Dash!). Sure, this series might pick back up, but this episode just showed too many signs that the creativity of Shinbo has run out, and I don’t want to blog this series just for the sake of finding out whether I’m right or not in this. Also, why the heck are the creators hinting at a romance between Jun and Hajime?!
OP: Like expected from Shaft, at least it has a pretty good OP. Creative visuals and nice music.
Potential: 30%