Fairy Tail

Short Synopsis: Our lead character destroys entire cities and ruin thousands of people’s lives with his powers. And is supposed to be the good guy…
Well, so here we have another one of those shounen fighting series. And to be honest, it feels like a rather half-assed attempt. You can really see that the creators are trying too hard for this one: at every single opportunity they get they try to be funny by an incredibly exaggerated facial expression. Some of those attempts are indeed funny, but in most of the cases they just lack comedic timing, feel lazy or just aren’t funny. The lead character also feels like any other 14-year-old shounen lead out there, without hardly anything that sets him apart. As for the fights, they mostly consist out of people throwing flashy beams and punches at each other until one party goes down. I’ve gotten bored of those ever since Bleach abused them. Right now, I’m a bit done with those shallow shounen series.
OP: Decent J-rock, but nothing special.
ED: Bad j-pop song.
Potential: 20%

Aoi Bungaku

Short Synopsis: Our lead character meets the love of his life as he runs away from the police.
Ah, yes. It’s obvious that this is going to be the least popular series of the season. I suspect that this series mostly going to be ignored, if Mouryou no Hako’s reception last year is any indication. It’s going to surprise me if there are actually subbers going to be interested in this series. Nevertheless, this series has the best character-designs of the new season, it has the best atmosphere of the new season, it has the best graphical direction, the most complex and difficult to understand script, and very much my favourite first episode of the Autumn Season. I love the way how it slowly plays out, with the atmosphere only getting bigger and bigger as it goes on. It’s about adults, rather than a bunch of teenagers, and the fanservice for once feels mature, rather than stupid like most other series this season. I really like the concept of animating six short stories inside one series: it’s going to provide variety, and make sure that the series is never going to drag. If I had to describe this episode, it’d be Kurozuka minus all of the freakish action and plus some actually good characterization. It’s taken a while, but I’m really glad to see another interesting concept from Madhouse!
ED: Nice ballad.
Potential: 90%

Table Cat

Short Synopsis: Our lead characters are a bunch of talking cats and dogs.
Okay… this is the perfect example of “so annoying it becomes funny”. I think that anyone who watched this episode wanted to kill that freaking poodle. Her voice actress just would not shut up. In fact, this entire episode (three minutes, okay) was full of the most hyperactive dialogue since the Excel Saga, combined with some really weird and spastic animation techniques. However, I can’t deny that I laughed. :P
OP: Very cheesy and pointless for an anime with only three-minute episodes.
ED: Again, just a cheesy song that takes fifteen seconds…
Potential: 20%

Recap.

We basically saw Hohenheim and some strange woman talk while the past twenty-six episodes were recapped. I’m not complaining however, because for a recap it was a very good one: it contained the best bits of animation along with the best soundtracks for an intense 20 minutes. Hohenheim meanwhile looks at people dancing around a campfire and has some sort of evil twin or clone or something show up. It then turns out to be a dream of his.

If this really wasn’t part of the manga, then I think it’s the creators’ way of foreshadowing. My guess is that they were forced to include a recap at this point, so instead of just boringly do an episode in which nothing happens, why not throw in a taste of the future? I must say, with the dancing children I’m beginning to see more why Hohenheim was supposed to be that kind man; he indeed doesn’t seem like the same guy as his white version.
OP: New OP this time, starts off well but then degenerates into generic J-rock.
ED: Another slide-show. The music is decent for a j-pop ballad.
Rating: ** ()

Yeah, this was by far the best baseball match of Cross Game, in which Kou and Azuma finally get a real threat posed to them. The matches still are nowhere as intense and exciting as in Touch, but it’s getting there. If the second half of the series can further develop the fact that Kou and Azuma aren’t perfect then we’re in for a great series.

For once, Kou didn’t give away a point because he was playing around, lazy or otherwise intentionally not focusing. The way that Keitaro just whacked a home-run out of Kou’s pitch caught him completely off-guard and Azuma too for once just hit a regular pitch, instead of a home-run. I also like that Senda, despite his portrayal as a seemingly useless character actually gets to bases at times. That’s more to say from Akaishi: there’s this theme with him, never being able to score any sort of solid hit: he either hits very hard, only for the ball to get caught, or he just completely fails to hit the ball in the first place.

Aoba again acted completely different from how she usually does, and turned into a bit of a fangirl for Kou, which of course clashed a bit with her tsundere-side. Yeah, at this point the arrival of Wakaba-lookalike seems about right to develop their relationship a bit more.
Rating: ** (Excellent)