Like expected, this episode was somewhat hampered by the stereotypical and badly acted evil circus directors. What I didn’t expect was that this episode would make up for it with the “Forest of Broccoli”. How awesome is that?

In all seriousness though, I didn’t expect much of this episode because of those circus directors. I really feared for some clichéd storyline in which Lag has to save his damsel in distress from these evil people. Nevertheless, the creators seemed to realize this as well, so they quickly abandoned the circus-plot, in favour of focusing on the growing relationship between Lag and Nichi, along with their newly acquired friend, a small animal called “Steak” (yeah, Nichi named him that way; it really seems like names in this series are quite a bit different from normal ones. Both their sound, their meaning and their symbolism).

The thing with this episode was that it was a very mixed bag, but I actually found lots of stuff that I liked. It was a bit messy for the creators to suddenly abandon two story-lines (the circus and we also never see the people whose camel Lag blatantly stole), but the scene in which Nichi sat next to Lag just shot up his memory in order to protect her was definitely charming. She’s a damsel in distress, but a very un-typical damsel in distress at that: she didn’t really need to be saved, but nevertheless, when Lag who is completely useless in fights aside from that godmode beam of his, tried to save her, this wasn’t meant to show how weak she was, but rather how she never has been treated kindly due to her powers. It is cliché, but also well enough executed to work.

Also, it took me a while in noticing this, but Letter Bee has a surprisingly good soundtrack. It’s not exactly the best of this season, but nevertheless it’s varied, simple and yet effective and powerful when it needs to. The composer up till now did the soundtracks for… Saiunkoku Monogatari, Juuni Kokuki and Victorian Romance Emma. Talk about difference…
Rating: * (Good)

It’s amazing: Touya only had five scenes in this episode in which he appeared. In three of them, he did nothing, so he only had about one minute of serious airtime. And yet he still manages to come across as an inconsiderate asshole in that time.

But let’s look at the other characters first. A majority of the episode was spent on Yuki’s grief after she found out that Rina would leave her. Can I fault this series for overdoing that? Not really. Yuki always was a crybaby who always sought protection from Rina. She sees Rina as a very dear friend, and thus I can see how she would not accept Rina’s choice of leaving her brother, especially if she was the indirect reason for it. The scene they had together was very nicely done, actually.

And you know, Eiji with his painting, which apparently originally belonged to Mana’s mother. Since he didn’t know it was a very pricey painting, I can see how he in his delusions would have had no reason not to paint over it. I’m now beginning to see the part that that new singer girl is going to play in the whole story. The thing with Yuki always was that she’s weak and can’t protect herself. If Eiji ends up abandoning her, she only has Yayoi left, and we all know what a reliable woman she turned out to be…

Speaking of the devil, she’s getting love-sick. When Touya stood her up, you could really see that she’s not screwing him just out of business anymore. Could it be that she was left by her previous boyfriend and has therefore been looking for someone to fill that void?

A lot more questionable was the bar scene, in which Mana and Haruka both started crying while talking about Touya. I know that Haruka is sad for the loss of her brother, and that Mana longs for her mother, but whether that would result in both of them crying… that scene was a bit too much perhaps, but I know too little about psychology to really say for sure.

But yeah, Touya. He makes an appointment with Yayoi, but goes to his father instead. His studying turns out to have been a preparation for his student tuition work for Mana. He finally puts in some work for something, but to me it’s just a way to escape his relationships with Yuki and Yayoi. On top of that, not knowing what happened between Yuki and Rina, he simply brushes off her tears on television as something that she does to ask for attention. When he finds out that Haruka cried about him, he starts laughing. Oh boy.

There is no doubt that Touya is one annoying SOB. However, is he a bad character? I’m still not sure, to be honest. In technical terms, he is well developed: he’s been inside a downward spiral ever since the start of the series, and the end of this episode only makes this worse. White Album asks an interesting question: if a character isn’t likable, does it make this character automatically bad? School Days did this before but it failed horribly with its badly executed development and script that just seemed geared to getting to that bad end. White Album however is much more subtle, and while we have to wait a few more episodes to find out whether or not it actually paid off, I’m still having problems to determine whether this series is bad, or simply annoying.

I think that the first season had its obvious flaws, but those were in its set-up: as an adaptation of an eroge, the creators had to create a scenario in which all of the five girls would have feelings for the lead characters in a certain way. But accepting this set-up, I’m still not sure what to think of this series.
Rating: * (Good)